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Infrequently of late has Spain, which used to dispatch musicians to the U. S. in a steady stream, sent figures worthy to rank with Soprano Lucrezia Bori, Dancer Argentina, Pianist José Iturbi. As though to atone for this neglect, alert little Pianist Iturbi, who plans to become a U. S. citizen, has lately carved a niche for himself as an orchestral conductor as well. His quiet debut occurred last May in Mexico City, speedily became a triumph. Emboldened by the success of his first piano recitals in Mexico, Iturbi organized an orchestra of 75 "professors," inserted a small advertisement...

Author: /time Magazine | Title: Music: Pianist-into-Conductor | 8/21/1933 | See Source »

...Mischa Elman's sweet, sentimental tones would scarcely blend very well with, for example, the fast-fingered playing of Vladimir Horowitz. It would be difficult to imagine cool, imperturbable Jascha Heifetz teaming with turbulent Ignace Jan Paderewski, or to picture grave Fritz Kreisler playing with elfin José Iturbi...

Author: /time Magazine | Title: Music: Engineers to the Fore | 3/27/1933 | See Source »

...recital program which Pianist José Iturbi played in Manhattan last week a composer with the prosaic name of Bennett kept company with Haydn, Schumann, Chopin, Brahms, Liszt. Haydn and Schumann provided meaty sonatas for impish Iturbi to play in his neat, polished style. Chopin and Brahms showed him expertly romantic. Liszt exercised his strong, fleet fingers. But none of these great ones overshadowed the man named Bennett. He contributed four miniature studies, descriptions of sights he had seen in Paris. They were so vivid and neatly wrought that listeners could fairly see the children Bennett had seen playing behind...

Author: /time Magazine | Title: Music: Orchestrator on His Own | 12/12/1932 | See Source »

When he had finished playing the studies and a less effective fox trot, Iturbi pointed out a tall blond man with a foxlike face sitting in a box. Robert Russell Bennett stood up and, for one of the rare times since he stopped playing every instrument in a boys' band in Freeman, Mo., faced an audience. In Manhattan for 13 years Russell Bennett has practised his trade behind scenes. He works for Harms, the music-publishers. When a songwriter like Jerome Kern or George Gershwin wants to put on a show he takes his tunes to Harms for Russell...

Author: /time Magazine | Title: Music: Orchestrator on His Own | 12/12/1932 | See Source »

...Sissy, Fritz Kreisler's operetta opening this month in Vienna. Bennett's jobs are piled high ahead. He is collaborating with Critic Robert A. Simon of The New Yorker on an opera. Philip Barry is having him write a musical background for a new play. Kreisler and Iturbi have commissioned him to write them concertos...

Author: /time Magazine | Title: Music: Orchestrator on His Own | 12/12/1932 | See Source »

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