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...hate a day when I sleep till one." Nadkarni says, but he rarely rests so much. He has played three years for the Harvard Classes, a barn-storming campus basketball club. After a frustrating freshman year playing with Harvard's IV team "in front of only three fans." Nadkarni jumped to the Classics and even assumed coaching responsibilities, handling the delicate task of coaching ex-varsity players with his JV background...

Author: By Timothy W. Plass, | Title: A Harvard Hinjew | 6/6/1985 | See Source »

...made SoHo's once funky lofts affordable only to the moneyed, and its former have-not inhabitants have also become chic. Anderson has forsaken the streets for major concert halls like the Brooklyn Academy, where in 1983 she performed her six-hour multimedia epic, United States, Parts I-IV. Wilson directed Marc-Antoine Charpentier's baroque opera Medee last fall in France; Reich's music has been performed by major orchestras from San Francisco to Cologne. The next extraordinary concentration of creative artists is now probably taking shape. Wherever it turns out to be, it should be compared not with...

Author: /time Magazine | Title: Music: New York, When It Sizzled | 6/3/1985 | See Source »

...Harvard prodigy who had made his name with audacious updatings of Shakespeare, transplanted Handel's opera Orlando to Cape Canaveral and spiced up Maxim Gorky's 1904 play Summerfolk with songs by George Gershwin. Yet his first offering at Kennedy Center, a production of Shakespeare's Henry IV, Part I directed by Timothy Mayer, was shocking only in its conventionality. So acute was the disappointment of critics and audiences that Sellars closed the play three weeks early...

Author: /time Magazine | Title: Theater: Running Wild with a War-Horse the Count of Monte Cristo | 6/3/1985 | See Source »

Although it's fronted by a Frenchman, the Stranglers used to thrash harder and scream louder than almost any other band. But Jean-Jacques Burnel, the vocal power behind the band, anticipated the swing of the gustatory pendulum on their album, IV, alienating some of their hardcore spikes-n-nails support. Aural Sculpture, the Strangler's latest, completes their metamorphosis from outraged punk outcasts to ingratiating pop insiders...

Author: By Cyrus M. Sanai, | Title: Aural Fixations | 5/10/1985 | See Source »

...pain, but you know how when you go around, it squeaks and everything. The 'I' will be better it it's smoother," said another veteran of late night 'I' rides, John W. Bovnron IV...

Author: By Shari RU Davsky, | Title: Red Line Moves Above Ground | 5/10/1985 | See Source »

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