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...lest we forget Oliver Barrett IV '64) Andrew Eliot, The Preppy With The Heart Of Gold...

Author: By Marie B. Morris, | Title: Stranger Than Truth | 5/1/1985 | See Source »

...solemnly past the gold-spired Grand Palace in Bangkok last week. With them came a single flutist playing Phya Sok (Great Sadness). One year after her death at the age of 79, Thailand's Queen Rambhai Barni took her last earthly journey in dignified splendor. Granddaughter of King Rama IV, the Thai monarch romanticized in The King and I, she was the wife of Thailand's last absolute ruler, before a coup installed a constitutional monarchy in 1932. The Queen's remains were borne on the traditional 40-ton, gilded teakwood chariot to an ornate cremation pavilion. Though some were...

Author: /time Magazine | Title: People: Apr. 22, 1985 | 4/22/1985 | See Source »

...regional companies including the Guthrie in Minneapolis, the Yale Repertory Theater and Robert Brustein's American Repertory Theater at Harvard. Last week the newest candidate took center stage. The American National Theater, headed by Peter Sellars, 27, opened at Washington's Kennedy Center with a less than wondrous Henry IV, Part I by that "American," William Shakespeare. Sellars' rationale for starting with an Elizabethan masterwork rather than, say, a Eugene O'Neill tragedy is to rediscover the plays and grandiloquent production styles that were popular at the dawning of the modern American theater. Indeed, the next show, which he will...

Author: /time Magazine | Title: Theater: Bland Bard Henry Iv, Part | 4/8/1985 | See Source »

...ends many scenes with one or two figures frozen in silhouette. The acting is mostly serviceable, with three happy exceptions: John Heard as Prince Hal is unmistakably regal even in his giddiest antics; Bruce McGill rockets with energy as Hotspur; and John McMartin proves imperiously perfect as King Henry IV but insufficiently charismatic, if cunning, as Falstaff. W.A.H...

Author: /time Magazine | Title: Theater: Bland Bard Henry Iv, Part | 4/8/1985 | See Source »

When I try to explain the use of celestial imagery in Henry IV, my classmates snicker and giggle at each polysyllabic word I pronounce, as if they think I would be much more at home singing "Folsom Prison Blues" (which I do quite well, incidentally), than talking about literature. Worse are the people who think they have to explain everything to me slowly, as if I can't think faster than I talk...

Author: By Benjamin N. Smith, | Title: Southern Discomfort | 4/6/1985 | See Source »

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