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...agents called into the case soon found more cause for suspicion. Most of the breathing failures had occurred in the intensive-care unit during the afternoon shift. All of the victims there were being fed intravenously, but the drug could not have been mixed into the IV solutions; it would have become too diluted to work. The agents concluded that the intravenous flow had apparently been interrupted and Pavulon pumped directly into the feeding tubes...

Author: /time Magazine | Title: Medicine: Death Follows Art | 3/22/1976 | See Source »

...course, the face is familiar. Like the pink convexities of Rubens' child-wife Hélène Fourment, it is one of the obsessive human presences of 17th century painting: Philip IV of Spain, growing older in the long succession of Diego Velásquez's court portraits. This one was painted late in the monarch's life, around 1653. The King's features-the bulbed Habsburg lip, the forehead's waxy promontory, the thick ball of a chin, the upswept mustache that Salvador Dali would appropriate and vulgarize-must have been more familiar...

Author: /time Magazine | Title: Art: Spanish Gold in England | 2/16/1976 | See Source »

...would be pleasant but wildly optimistic to hope that every other picture in the exhibition in which this portrait of Philip IV may be seen-"The Golden Age of Spanish Painting," organized by the Prado's director, Xavier de Salas, at London's Royal Academy, through March 14-were at this august level...

Author: /time Magazine | Title: Art: Spanish Gold in England | 2/16/1976 | See Source »

...IV. Intervention and the Logic of U.S. Foreign Policy...

Author: NO WRITER ATTRIBUTED | Title: The U.S. and the Persian Gulf: The Logic of Intervention | 2/12/1976 | See Source »

Iolanthe is as good as this Henry IV was bad, and a reviewer need not be in his dotage to rave about it. Increasingly, Iolanthe seems to be the favorite work of most Gilbert & Sullivan fanciers. Those who like the gentle, submarine beauty of Sullivan's music claim the best of that is here; others who prefer his loud, brass musical parodies consider the finest of them to be songs like "Bow, bow ye lower middle classes" and "When all night long a chap remains." Those who love the way Gilbert's characters take an inherently silly contradiction and straight...

Author: By Paul K. Rowe, | Title: G & S Without Peers | 12/11/1975 | See Source »

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