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...Star Trek IV: The Voyage Home. In 1980s San Francisco, Spock and Kirk save the whales...

Author: /time Magazine | Title: Star Trek: the Timeline | 11/28/1994 | See Source »

...been left waiting five hours, then was turned away with only cursory examinations on two successive nights at the Kaiser Foundation Hospital in Hayward, California, 30 miles from San Francisco. Limp, dehydrated and near death, the child was finally admitted on the third day -- and immediately attached to an IV. Then, as she sat by her child's bed, the mother, a legal resident, was asked for her immigration papers. A Kaiser spokeswoman said the policy is to ask for insurance papers but not for immigration documents...

Author: /time Magazine | Title: Hot Lines and Hot Tempers | 11/28/1994 | See Source »

...Kind had prompted Paramount to give its TV space crew a crack at the big screen. Star Trek: The Motion Picture displeased hard-core fans. But it made a sturdy $82 million at the box office and launched a series of films that peaked in 1986 with Star Trek IV: The Voyage Home, which grossed $110 million. Only Roddenberry felt left out. Though listed as executive consultant on all the films, he was largely supplanted by other producers. "He was pretty bitter about the films," recalls writer Tracy Torme. "He really felt like they took the films away from...

Author: /time Magazine | Title: Star Trek: Trekking Onward | 11/28/1994 | See Source »

...Economist points out that "on the death of George IV in 1830 The Times declared in an editorial that: 'There never was an individual less regretted by his fellow creatures.' Cartoonists such as Gilfray, Rowlandson and Cruickshank attacked the monarch in a manner which would look savage even today.' This intense criticism and lack of respect for the monarchy did not produce a serious, widespread consideration to sack it. Edward VIII's abdication crisis in 1936 might have provided some civil liberties rationale for abolition, but it did not. It was clear that the monarchy practiced discrimination in dismissing members...

Author: By Patrick S. Chung, | Title: We Are Not Amused | 11/4/1994 | See Source »

...Twombly is a textbook case of High and Low in one parcel: an Alexandrian painter in love with entropy and yet capable of toughness. He can summon a carnivalesque energy, as in Ferragosto IV, 1961. He enjoys the blooming and buzzing of nature, though his responses to it in recent years -- evocations of the rural hill landscapes around his studio in Gaeta -- are formulaic and hark back to Dubuffet and, earlier, to Soutine's Ceret paintings. The phrases he writes on the canvas are place names and snatches of poetry, done in a faint cursive script that is always...

Author: /time Magazine | Title: ART: The Grafitti of Loss | 10/17/1994 | See Source »

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