Word: ivan
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Dates: during 1960-1969
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Vova Marchenko was three months old when his parents took him to the Church of St. Michael the Archangel in Magnitogorsk (pop. 284,000) to be baptized by immersion, as is the practice of the Russian Orthodox Church. When the Rev. Ivan Scherbatov lifted little Vova from the font, the baby was dead-"the victim of a senseless rite," as Moscow's daily Sovietskaya Rossiya put it. Called before a People's Court, Father Scherbatov denied his guilt, contended that the child was ill and would have died anyway. But medical investigators disputed him, and the priest...
...Ivan the Terrible: Part 2-The Revolt of the Boyars. The late Sergei Eisenstein's strange, sinister, grand-operatic allegory of the Stalin era (see below...
...Ivan the Terrible: Part 2-The Revolt of the Boyars (Janus Films). Russia's Sergei Eisenstein (1898-1948) has been described as the Michelangelo of the cinema. In the '20s, Potemkin, Ten Days That Shook the World and Old and New established him as the film's greatest master of vast composition and dynamic form. In 1943, in the midst of World War II, he started work on a huge film chronicle of the reign of Ivan the Terrible. For Part 1, which was shown in the U.S. (TIME, April 14, 1947), Eisenstein won a Stalin Prize...
Part 1 described the foundation of Ivan's royal power and personal happiness, the destruction of both during his struggle with the boyars (nobles) who murdered his wife and drove him to abdication, and the restoration of his power by the will of the people. Part 2 tells how the boyars plotted to assassinate the reestablished sovereign, how he discov ered the scheme and broke the power of the nobility with a bloody purge...
Eisenstein's Ivan (Nikolai Cherkassov) bears little resemblance to the historical figure. According to some historical ac counts, Ivan IV of Russia (1530-84) was a psychopathic sadist who slaughtered thousands of Russians, gleefully assisted at the torture of his enemies, and mur dered his own son in a blind rage. Eisen stein's Ivan is frankly intended to repre sent Stalin, who admired Ivan as the founder of the Russian state, and liked to think he was "terrible" only because he had to be. Eisenstein therefore dutifully whitewashes the brute. But the whitewash is spread so thin...