Word: ivans
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...Rules of the Game, 4:10, 7:35; SUN. Virgin Spring, 3:20, 6:45, 10:10; Grand Illusion, 1:30, 4:55, 8; MON. Blue Angel, 3:40, 6:40, 9:40; Le Jour Se Leve, 2:15, 5:15, 8:15; TUE. Ivan the Terrible, I, 2:15, 5:20, 8:25; Ivan the Terrible...
...directed this tragedy of Latin truckers working in a South American town run by American oil interests. Suspenseful and sometimes brutal, never sentimental. 1953, Janus Film Festival. Harvard Square's festival of eminent films including Jean Renoir's best (Rules of the Game) and Sergei Eisenstein's last (Ivan the Terrible), Beauty and the Beast, Jean Cocteau's luxurious fairy tale fantasy, complements Marcel Camus's exotic myth Black Orpheus, set in Rio. Marcel Carne's Le Jour Se Leive [Daybreak] is a suspenseful and symbolic psychological study of a murderer who has locked himself in an attic. It should...
...legends of modern art-its El Dorado, both in riches and inaccessibility-belongs to the U.S.S.R. It is the stupendous collection of early French modernist painting amassed on trips to Paris by two Russian millionaires: Sergei Schuhkin and his younger friend Ivan Morosov. After the revolution, Schuhkin fled to Paris, where, stripped of his capital and without his collection, he survived until 1937. Morosov died in 1921 in Carlsbad...
...hero, called Ivan, is stylishly played by Jimmy Cliff, a Jamaican musician who has an insinuating, almost feral appeal. Poor and aimless, Ivan wanders about Jamaica, hoping vaguely to be a singer. It is an ambition he fulfills the way he finds a girl friend, the way he starts pushing, and the way, finally, he gets killed: by falling into it. The movie even attempts a kind of Brechtian device: Ivan attends a film, one of those baroque Italian westerns, and dotes on the hero, knowing that he is immune to all real danger until the last reel. When Ivan...
...interesting and ambitious notion, but one that does not quite fit into the structure of the film; it is almost a frill. What works better is the idea that Ivan is not only mesmerized by such mock-heroic displays, but much influenced and shaped by them. Throughout the film, he is ground down and exploited. His fantasy of breaking out of his grim world by becoming a celebrity is exploded when the music producer, who controls distribution of nearly all records on the island, offers him $20 for his song-take it or leave it. Too proud at first...