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...Died. Ivan Mestrovic, 78, intense, Croatian-born sculptor of massive religious works, who in 1947, was honored at Manhattan's Metropolitan Museum of Art with the first one-man show of a living artist in the museum's history; of a stroke; in South Bend, Ind., where he was resident sculptor at the University of Notre Dame. A devoted Yugoslav patriot, Mestrovic was jailed by Fascists during World War II, exiled himself when the Communists took over...

Author: /time Magazine | Title: Milestones: Jan. 26, 1962 | 1/26/1962 | See Source »

These briars, however, have been pruned -or leaped-with resolute skill by a gifted scenarist, Ivan Moffat (Giant), and an astute director, Henry King (The Sun Also Rises). King faced his biggest problem in Actress Jones, and the problem wasn't only age: in recent films the lady has limited her expressions largely to a toneless hysterical laugh and an alarmingly sick tic. But in Night she is well cast as a neurotic, and does her best work in a decade. Moffat for his part firmed up and rounded out the novel's plot and people...

Author: /time Magazine | Title: Cinema: A Fatal Desire to Please | 1/26/1962 | See Source »

What happened to Dostoevsky's four part masterpiece shouldn't happen to an idiot. First Director Ivan Pyriev and his collaborators at Mosfilm Studios decided to cut the last three-fourths of the novel. Next they relieved Prince Myshkin of his epilepsy, replacing it with a halo. To complete the transformation they added an exaggeratedly romantic, musical score, and put grease on the actors' faces (to make them look involved), and used a color technique that turned flesh into the inside of an orange peel...

Author: By Walter L. Goldfrank, | Title: The Idiot | 1/18/1962 | See Source »

There is no denying that each frame of Ivan results from a true genius for design, but that is the trouble. The beauty of each individual shot tends to make the motion picture as a whole somewhat static. Eisenstein hovers ponderously over each of his symmetrical arrangements and seems to say in a very obtrusive voice: "See what a thing of loveliness I have constructed...

Author: By Raymond A. Soxolov jr., | Title: The Bicycle Thief and Ivan, Part I | 1/8/1962 | See Source »

...Odessa steps in a millrace of fluidity. Like Rembrandt, Eisenstein ended his career in a vein of classicism, but unlike Rembrandt, he worked in a medium that does not prosper when it gives up movement for stasis and symmetry--even when that symmetry ascends to such sublime heights as Ivan the Terrible, Part...

Author: By Raymond A. Soxolov jr., | Title: The Bicycle Thief and Ivan, Part I | 1/8/1962 | See Source »

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