Word: jackã
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...liveliness spawns from her lack of time—she has been diagnosed with cystic fibrosis. As Jack and Jill take on the world in this “Sweet November” look-alike, they create their own manifesto, combining both Jill’s optimism and Jack??s pessimism. However, anger arises when Jill violates rule number one—be honest. While this predictable film may have a few cringe-worthy moments, director Vanessa Parise ’93 adds stylistic touches with her crafty camera work. Split-screen frames and smooth transitions are evidence...
...Manuscript” takes place in the home of Harvard freshman David (Daniel E. Catomeris ’11), who has invited over two Yale freshmen—his best friend, Chris (Joseph “Jack?? Cutmore-Scott ’10), and Chris’ girlfriend, Elizabeth (Sophie C. Kargman ’08)—during winter break. David, an aspiring writer, and Elizabeth, who has already launched a successful literary career as a published author, soon relaunch a long-running argument over the true authorship of one of Elizabeth’s works...
...fictional characters that represent different epochs of Dylan’s life. Tellingly, none of them actually share Dylan’s name. “Woody Guthrie” is a boy attempting to define himself in terms of folk music’s history. “Jack?? is a Greenwich Village folk-music sensation and later, Christian convert and priest. “Robbie,” a counter-culture film star, also appears as a lover and a husband. “Jude” is a folk musician who has gone electric...
...film than the average seven-year old can appreciate. Tim Burton brings to the otherwise staid genre of holiday films a freshly twisted execution, even though Santa saves Christmas in the end. That’s not to say that I don’t jump a little when Jack??s eyes glow red, but I’ve gotten past looking for monsters under my bed—and I gave up that blanket. “The Nightmare Before Christmas” is a multi-holiday movie, perfect for most of the fall and winter seasons...
...events of “Bent,” showing at the Loeb Ex through Oct. 15, are rooted in historical fact. Yet protagonist Max, played by Joseph “Jack?? Cutmore-Scott ’10, is powerful largely because of his sense of disbelief and his desire not to acknowledge what is happening, especially during the play’s wrenching second...