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Word: jacob (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

Preceding Benton on the program were two New York State politicians, Carmine G. DeSapio, N.Y. Secretary of State, and head of Tammany Hall, the new York Country Democratic organization; and Jacob K. Javits, Attorney General of N.Y., and a leading Republican...

Author: By Bernard M. Gwertzman, | Title: Benton Move for Campaign Commission Highlights 'Political Ethics' Law Forum | 2/19/1955 | See Source »

Carmine G. DeSapio, Jacob K. Javits, and William Benton will speak at the Law School forum on "Ethics in Politics" at 8 o'clock tonight in Sanders Theater. The moderator will be David F. Cavers, Associate Dean of the Law School...

Author: NO WRITER ATTRIBUTED | Title: 'Ethics in Politics' Subject Of Law Forum Discussion | 2/18/1955 | See Source »

Charles P. Sifton '57 of Eliot House and Washington, D.C., won the Jacob Wendell Scholarship for 1954-55, Dedan Delmar Leighton '19 announced. The award is given to the sophomore who made an outstanding academic and extra-curricular record as a freshman...

Author: NO WRITER ATTRIBUTED | Title: Sifton Wins Wendell Prize For Outstanding Freshman | 2/10/1955 | See Source »

Ironically, even the earliest painters of the West were recording an already vanishing era. The bustling scene of the stockaded fur-trading post at Fort Laramie was painted by Alfred Jacob Miller in 1837, when the Rocky Mountain fur trade had already passed its peak. Paris-trained Miller's paintings of a fur trappers' rendezvous, done with blue-tinted mountains in the romantic manner of Delacroix, are the only surviving pictorial records of the mountain men's great annual blowouts of drinking, fighting, "squaw doin's" and trading. The Swiss painter Charles Bodmer, first artist...

Author: /time Magazine | Title: Art: THE WAY WEST | 1/31/1955 | See Source »

Emotionally Charged Lights. Georgia-born Psychologist Enneis, 34, studied psychodrama under its originator, Dr. Jacob L. Moreno, at Beacon, N.Y., was early impressed by the effect of lights on the actors. Where a director uses lights in a conventional theater to harmonize with the mood of the scene, Enneis found that he could control or even create emotions with different colored lights. His most vivid example: a staff assistant was acting under the emotionally charged red lights when a woman patient (going through a transference relationship) attacked her. Onstage, Enneis tried vainly to separate them, but an alert observer flicked...

Author: /time Magazine | Title: Medicine: Psychodrama | 1/24/1955 | See Source »

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