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...LIFE, by Murray Schisgal (Luv), starring Lou Jacobi (Don't Drink the Water). A man in a park, apartment, business office...

Author: /time Magazine | Title: Theater: The New Broadway Season | 9/6/1968 | See Source »

Prestige Sound. The script is then delivered to a production group usually an independent agency. In the casting process, actors are chosen for the "authentic look," Jack Gilford, for instance, seems typecast as the conniving Cracker Jack addict, and Lou Jacobi looks every bit the beleaguered traveling salesman in a Hertz ad. Narrators Ed Herlihy for Kraft Foods and Alexander Scourby for Eastern Air Lines are prized for their ability to project "appetite appeal" and a "prestige sound." Just as important is the preparation of catchy music, which may even become a bestseller on the pop charts...

Author: /time Magazine | Title: Television: . . . And Now a Word about Commercials | 7/12/1968 | See Source »

Under Deans I. W. Cole and Peter P. Jacobi, Northwestern's Medill School of Journalism now requires its graduate students to take two seminars in the reporting of public affairs. Courses are offered in urban problems, education, science and technology. One student who took a course in the U.S. legal system grumbled that it was "just like an advanced political-science course." The school's reply is that that's just what it is supposed...

Author: /time Magazine | Title: Schools: More Life, Less Trade | 2/9/1968 | See Source »

...kimono and somewhere between the tea ceremony and the kosher sukiyaki won the heart of a Japanese gentleman. The Zulu and the Zayda made color-unconscious buddies out of Menasha Skulnik and a Zulu tribesman. In Don't Drink the Water, a touring New Jersey caterer (Lou Jacobi), his wife (Kay Medford) and daughter (Anita Gillette) temporarily take asylum in a U.S. embassy in a country much like Hungary. In one extraneous scene, the caterer dresses down an Arab oil sheik for being cruel to his Arab subjects. As the episode suggests, Jews have a slight edge in these...

Author: /time Magazine | Title: Theater: Diasporadic Fun | 11/25/1966 | See Source »

Making his playwriting debut, Nightclub Comic Woody Allen fills the stage with a parade of gags that hurtle past like an insomniac's sheep, some woolly, some sheared and some weird. The evening is affluent with easy laughs, and yet curiously anemic in genuine humor. Lou Jacobi and Kay Medford are masters of ethnically styled comic delivery. He gives a line a built-in shrug. She is a one-woman keening committee, and her voice has a cold in its head. The couple's common burden is a Gentile nudnick of an embassy chief who has suffered every...

Author: /time Magazine | Title: Theater: Diasporadic Fun | 11/25/1966 | See Source »

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