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...sing the leading parts with the 200-man chorus, he invited Metropolitan Opera Singers Rose Bampton, Bruna Castagna, Frederick Jagel, Alexander Kipnis. Said Kipnis afterwards: "That orchestra is good enough to play any place...

Author: /time Magazine | Title: Music: Requiem in Fort Wayne | 4/1/1946 | See Source »

Beethoven: Symphony No. 9 ("Choral") in D Minor (Philadelphia Orches tra, Eugene Ormandy conducting, with Stella Roman, Enid Szantho, Frederick Jagel, Nicola Moscona and the Westminster Choir, John Finley Williamson conducting; Columbia, 16 sides). The first U.S. recording in German of this colossus for orchestra and voice is many shades below Columbia's superlative prewar waxing by Felix Weingartner and the Vienna Philharmonic Orchestra and State Opera Chorus. Performance: fair...

Author: /time Magazine | Title: Music: New Records, Nov. 5, 1945 | 11/5/1945 | See Source »

Lawyer Key hated the War of 1812; shortly before he wrote his song was tempted to wish the eagle-screaming Baltimoreans would indeed be conquered. Descendant Key-Smith firmly believes that anyone can sing his ancestor's anthem. Last July, when Metropolitan Tenor Frederick Jagel said no singer could be at home on a range like that, Lieut. Colonel Key-Smith snorted: "Any real tenor who says he can't sing The Star-Spangled Banner is a fool...

Author: /time Magazine | Title: Music: Anthem's Anniversary | 9/25/1939 | See Source »

Chicago Opera's Tenor Giovanni Mattinelli caught cold, told Impresario Paul Longone he would be unable to sing Pollione in Norma that night. To three other tenors went Mr. Longone. None of them knew the part. Frantically he telephoned to Manhattan's Metropolitan Tenor Frederick Jagel. Tubby Tenor Jagel caught a plane, flew 700-odd miles to Chicago's Municipal Airport, drove into the Loop behind police escort, trotted perspiring into the opera house, squirmed into a costume, bobbed on stage half-an-hour late, stumbled on a mossy step beside the Druids' oak, lost...

Author: /time Magazine | Title: People, Dec. 6, 1937 | 12/6/1937 | See Source »

...citizen who used to conduct the Syracuse (N. Y.) Symphony. Even then he was full of plans for blending "canned" music with living singers. Benjamin Adler, a Manhattan cotton broker, backed him when in 1933 he put on Carmen in New York. In that production Metropolitan Tenor Frederick Jagel sang against an orchestra & chorus which were recorded on discs, not film. Last summer when he was touring Russia, Shavitch persuaded the Fine Arts Commissariat to give his device a further hearing...

Author: /time Magazine | Title: Music: Synchro-Opera | 3/29/1937 | See Source »

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