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Word: jampol (lookup in dictionary) (lookup stats)
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...insane asylum, the act’s unfolding is rich and nuanced. The cranky, nervous Marat is played by a paranoiac who at times must be detained because of his episodes; his words are twisted and debated by the cool and assured Marquis de Sade (Olivia J. Jampol ’10), who directs and occasionally intervenes in his own creation...

Author: By Madeleine M. Schwartz, CRIMSON STAFF WRITER | Title: ‘Marat’ Overflows with Potential | 11/2/2009 | See Source »

Additionally, the choice to use a woman to portray Sade detracts from the overall production. The acting is not wanting—Jampol is excellent as the libertine—but the fact that she is not the same gender as her character forces one more idea into the play, and it doesn’t quite...

Author: By Madeleine M. Schwartz, CRIMSON STAFF WRITER | Title: ‘Marat’ Overflows with Potential | 11/2/2009 | See Source »

...Loeb Experimental Theatre was transformed into a gritty, graffiti-laden dungeon, and the women wore costumes applicable to a number of female archetypes—the blouse and pearls of a housewife, the pink sundress of a Southern belle, the sequined mini-dress of a hooker. Lysistrata (Olivia J. Jampol ’09), stomping around in a black mini-skirt, black boots, and a leopard-print jacket, was convincing as a galvanizing force and militant feminist. After the male politicians and military officers ignore her initial pleas for peace between Athens and Sparta, she persuades the Athenian women...

Author: By Lauren S. Packard, CONTRIBUTING WRITER | Title: HCC’s ‘Lysistrata’ Takes Humorous Liberties | 4/21/2009 | See Source »

...that are still very much alive to them. Earlier this month, the band's keyboardist, Ray Manzarek, and guitarist, Robby Krieger, flew in to mark the day. "People are always interested in his life, and of course his death and his words and music," the Doors' manager, Jeff Jampol, told TIME. "All but his life lives...

Author: /time Magazine | Title: Postcard: Paris | 7/19/2007 | See Source »

...directing was to infuse the three spoken words with meaning beyond the actors’ inflection. In one instance, this meant equating parts of their own body or that of another actor with either meat or mere potatoes in sexual jokes; in another, it meant actor Olivia E. Jampol ’09 stabbing actor Sean P. Bala ’09 with a steak knife, as if he really were a steak. This scene’s musical numbers were enhanced by dramatic lighting by Eleanor M. Campisano ’08 and delightful choreographic parodies by Sachiko...

Author: By Marin J.D. Orlosky, CRIMSON STAFF WRITER | Title: Silverstein Delights and Disturbs | 3/13/2006 | See Source »

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