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...Jane H. Corlette, associate vice president for government, community and public affairs, says Harvard University does not have a direct role in lobbying on the hospitals' behalf, but does assist where...

Author: By Geoffrey C. Hsu, | Title: MEDICARE REFORM and Harvard's Teaching Hospitals | 10/18/1995 | See Source »

Written in the year before her death, Persuasion is Jane Austen's darkest novel. The plot is similar to those of Emma and Pride and Prejudice. A sensible and intelligent woman overcomes her own character flaws and the interference of her family and friends to marry the only man who is her equal...

Author: By Adam Kirsch, | Title: Persuasion Full of Fine Details | 10/12/1995 | See Source »

...pleasure, then, that we watch as events take an unexpected turn, separating Wentworth from Louisa and bringing him, through a thicket of obstacles, back to Anne. "Persuasion" is certainly a tale of romance, in which the heroine ends up happy against all odds. But what makes it distinctively a Jane Austen story is the moral dimension of the romance; the real agony of Anne's plight is not just her lack of a husband, but her total isolation among people who neither understand nor value her character and virtue...

Author: By Adam Kirsch, | Title: Persuasion Full of Fine Details | 10/12/1995 | See Source »

...Raphaelite has never been accused of anything more serious than criminal gorgeousness. Her vertiginous pastimes, such as rock climbing, are the ways a game gal spends a Sunday with her jock husband. So Kidman is not Suzanne Maretto; and the actress, now on location in Italy starring in the Jane Campion film of Henry James' Portrait of a Lady, will heatedly explain why. "Everyone says, 'Oh, you are Suzanne, that's how you played the role so well.' Well, no! I'm an actor, and I created that role. My dream was to be in the theater...

Author: /time Magazine | Title: AN ACTRESS TO DIE FOR | 10/9/1995 | See Source »

...mood of this adaptation of Whitney Otto's novel by writer Jane Anderson and director Jocelyn Moorhouse is sweetly subversive. It usefully insists that beneath the placid surface of middle-class life strong currents rush and eddy, carrying everyone in directions utterly unpredictable when they are young and sure of themselves. And if it doesn't provide fully developed roles for them, it does evenhandedly offer a lot of underutilized actresses (among them Jean Simmons, Lois Smith and Kate Nelligan and the poet Maya Angelou) a moment or two to remind us how good they...

Author: /time Magazine | Title: CINEMA: LEFTOVER LIVES | 10/9/1995 | See Source »

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