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Such a play could easily degenerate into an endless debate, going over all too familiar terrain, about the nation's thorniest ethical issue. But just when it seems that is about to happen, playwright Jane Martin turns out to have plenty to say about the antifeminist anger that may underlie much activism. The lead captor, a windy minister, appears to have trouble separating his concern for unborn children from his devotion to patriarchal authority. He keeps referring to himself as "the head of the family." He condescends unashamedly to the day-to-day keeper, a grandmotherly woman who is trained...

Author: /time Magazine | Title: Is Kidnaping for Jesus a Moral Right? | 11/29/1993 | See Source »

Just whose text remains a matter of mystery. "Jane Martin" is a pseudonym for the author or authors of seven plays over the past decade, including the prizewinners Talking With and Cementville. It is widely believed the reclusive author is Jory himself, in collaboration with a literary adviser to his theater. Says Jory, who refuses to reveal anything: "She honestly feels, for whatever reason, that she couldn't write plays if people knew who she was and what she was." If remaining secret is the price for plays of the caliber of Keely and Du, let her stay hidden forever...

Author: /time Magazine | Title: Is Kidnaping for Jesus a Moral Right? | 11/29/1993 | See Source »

...Jane Frey (Senior Associate Director); James Elsis (Associate Director); Nomi Silverman (Assistant Art Director); Victoria Nightingale (Designer...

Author: /time Magazine | Title: Time International Masthead | 11/29/1993 | See Source »

ASSISTANT EDITORS: Ursula Nadasdy de Gallo, Andrea Dorfman, Brigid O'Hara-Forster, William Tynan, Sidney Urquhart, Jane Van Tassel (Department Heads); Bernard Baumohl, David Bjerklie, Val Castronovo, Mary McC. Fernandez, Georgia Harbison, Ratu Kamlani, Sue Raffety, Susan M. Reed, Elizabeth Rudulph, Susanne Washburn, Linda Young...

Author: /time Magazine | Title: Time International Masthead | 11/29/1993 | See Source »

This movie can't be that good -- it's won too many prizes. The Piano has been saddled with a Cannes Palme d'Or and 11 Australian Film Institute awards. For New Zealand writer-director Jane Campion, the film marks a triumph of dazzling movie art and canny show-biz heart. It's that good...

Author: /time Magazine | Title: Wuthering Eighty-Eights | 11/22/1993 | See Source »

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