Word: janitor
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...disappointingly mediocre follow-up by the makers of last year's brilliant Trainspotting. The ill-paced narrative tells the story of Robert (Ewan McGregor), a recently fired janitor who unwittingly kidnaps the beautiful daughter (Cameron Diaz) of his rich ex-boss. Screenwriter John Hodge attempts to freshen things up by tossing in gun-toting angels, a psychotic dentist, and some forced romantic comedy, but only manages the further muddle the plot...
This just in! The media distorts the truth for its own nefarious purposes! This movie focuses on Max Brackett (Dustin Hoffman), a reporter who "cross the line" between reporting the news and fabricating it when he turns a hostage crisis involving a fired janitor (John Travolta) into a media circus. Unfortunately, this preachy film also croosses a line--the one that separates commentary from polemic. Despite fine performances, it suffers from a fatal heavy-handedness...
This disappointingly mediocre film is the follow-up to last year's brilliant Trainspotting; though it sports the same director, writer, producer and star, the similarities end there. The ill-paced narrative tells the story of Robert (Ewan McGregor), a recently-fired janitor who unwittingly kidnaps the beautiful daugher (Cameron Diaz) of his rich ex-boss. Screenwriter John Hodge attempts to freshen things up by tossing in a couple of gun-toting angels, a psychotic dentist and some forced romantic comedy, but only manages to further muddle the plot...
...from a little perspective. Its creators failed to notice that they themselves had crossed a line--the one that separates shrewd commentary from polemic."Photos courtesy of Warner Bros,TWO RING CIRCUS: DUSTIN HOFFMAN (left), shines as a hard-boiled reporter who exploits the story of a simple-minded janitor's (JOHN TRAVOLTA, below) revolt against society...
...disappointingly mediocre follow-up by the makers of last year's brilliant Trainspotting. The illpaced narrative tells the story of Robert (Ewan McGregor), a recently-fired janitor who unwittingly kidnaps the beautiful daughter (Cameron Diaz) of his rich ex-boss. Screenwriter John Hodge attempts to freshen things up by tossing in gun-toting angels, a psychotic dentist and some forced romantic comedy, but only manages to further muddle the plot. A messy film that looks like a work-in-progress. --Jordan...