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...Phil Falcone (Tim Smith, Dave Connors) 10 18. U.S. Corey Millen (Gary Sampson, Al lafrate rate) 13:04, U.S. Chris Chellos (Scott Fusco, Paul Guay) 17:49, U.S. Guay (Kurt Kislendorst) 1:08; U.S. Dave Janson (Ed Otczyk, Pat LaFontaine) 2:53 H. Tim Barakett (Ralph Hartmann, Jey North) 3:34, U.S. Sampson (letrate) 14:00; U.S., LaFontaine (Otczyk, latrate) 5:50, U.S. Guay (Rich Coetello, Chellos) 10:45, U.S. Phil Verchota (Sampson, Gary Height) 11:41, U.S. Guay (Coetello, Kleinedorst...

Author: By Jim Silver, | Title: Olympians Pound Crimson Icemen | 11/16/1983 | See Source »

...JANSON's History of Art, it is written that turn-of-the century painters saw in cubism "a special affinity with the geometric precision of engineering that made it uniquely attuned to the dynamism of modern life." Substitute "jumble" for "dynamism" and grasp the essence of Rubik's Cubism, a style now immortalized in the Museum of Modern Art's permanent collection...

Author: By Peter Kolodziej, | Title: The Shape of Our Times | 2/10/1982 | See Source »

After the indictments, a fire gutted the Fort Lauderdale showroom of Bond Plumbing Supply, the firm whose office manager had blown the whistle on the operation. Fort Lauderdale Fire Captain Stanley Janson said that the blaze was set by arsonists...

Author: /time Magazine | Title: Nation: Royal Flush | 3/10/1980 | See Source »

Time Lag. Outright forgeries can usually be detected by chemical analysis (use of pigments that had not been invented at the time of the original painting, electronic dating of the wood or canvas or clay). But even the most careful scholarship is uncertain. Says Horst W. Janson, chairman of the department of fine arts at New York University: "Nothing can be taken for granted. There is no such thing as the final word. What you read on a label in a museum hardly ever reflects the latest state of scholarship-there is an inevitable time lag, in part...

Author: /time Magazine | Title: Art: Who Painted What? | 1/29/1973 | See Source »

...Founded in 1879, it consisted mainly of odds and ends cast off by Missourians: embossed beer tankards, a Greek vase collection, a marble mountain nymph by a local artist (now in a university library and known to undergraduates as "the White Rock Girl"). Then, in 1945, Curator Horst W. Janson, aided by a committee, weeded out 125 paintings and 500 pieces of bric-a-brac, auctioned off the lot for $40,000. The money was used to purchase 28 paintings, sculptures, collages and tapestries by Picasso, Braque, Moore, Stuart Davis, Klee, William Baziotes and other French and American moderns. Janson...

Author: /time Magazine | Title: Collections: Taste on the Campus | 7/21/1967 | See Source »

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