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Word: japanization (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Usage:

...population of Washington may still be lining up to see the Van Gogh show, but the exhibition that Vincent himself, as an obsessed lover of Japanese art, would most likely be heading for hangs in another part of the National Gallery of Art. It is "Edo: Art in Japan 1615-1868," a magnificent selection of nearly 300 works in every medium, from woodblock prints to lacquerware, from tiny netsuke to eight-fold painted screens, assembled by the American scholar Robert Singer and mostly lent by Japanese institutions. It is replete with objects listed in Japan as "National Treasures" and "Important...

Author: /time Magazine | Title: Art: Style Was Key | 12/14/1998 | See Source »

...both a place and a time frame. It was the old name of the city we call Tokyo, and "Edo period" denotes the 2 1/2 centuries during which an absolute regime, founded there in the early 17th century by the military lord, or shogun, Tokugawa Ieyasu, ruled over all Japan through 15 generations of his descendants. The symbolic moment at which the period began to close was 1853, when Commodore Perry's black ships, crewed by their blue-eyed, spindle-nosed, strange-smelling gaijin, the Americans, sailed into lower Edo Bay and broke the seal of isolation from the West...

Author: /time Magazine | Title: Art: Style Was Key | 12/14/1998 | See Source »

...true, however, that Japan had been culturally static until then. Japan's ancient imperial capital Kyoto represented the classic division of old Japanese power: court, samurai, priests. It continued to exert a great influence on the country's art. But in Edo, a more secular and even demotic imagination began to assert itself--marked, writes Singer, by "bold, sometimes brash expression...and a playful outlook on life in general." This happened because Japanese society, in the new capital, became somewhat more open to change. Not very much, but a little, and then a little more. The once despised merchants...

Author: /time Magazine | Title: Art: Style Was Key | 12/14/1998 | See Source »

...Toshusai Sharaku, whose image of the actor Otani Oniji III playing a samurai's manservant, all red-rimmed eyes and stylish snarl, is a deliciously succinct expression of fictive bloody-mindedness. Through the medium of prints, the range of things that could be depicted widened to take in all Japan. Katsushika Hokusai's Thirty-Six Views of Mount Fuji and Ando Hiroshige's Fifty-Three Stations of the Tokaido are both travelogues and social listings, in which every sort of occupation, from pit sawing to innkeeping, gets its allotted description. This scrutiny of lower-class life would never have held...

Author: /time Magazine | Title: Art: Style Was Key | 12/14/1998 | See Source »

Countries other than America have also grown superb business leaders. One legend in Japan is Konosuke Matsushita, whose company includes Panasonic and other well-known brands. Witnessing his father's bankruptcy as a small child prompted Matsushita to develop new values of how an enterprise ought to be run. Like Sam Walton, he paid attention to the consumer and sought ways to increase demand and reduce prices. He forced the competition to embrace this concept, making the market grow while creating more profit. He also showed that human well-being and making money are not inconsistent. In downturns he found...

Author: /time Magazine | Title: Managing To Be Best | 12/7/1998 | See Source »

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