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...being treated with respect by the police is not the only thing that has changed in Dobroshi's life. Born and raised in small, landlocked Kosovo, the 29-year-old is a world traveler today. She's recently been to Australia, Canada and Japan while promoting her lead role in The Silence of Lorna, the latest release from the Belgian directing duo Jean-Pierre and Luc Dardenne. Dobroshi's captivating performance as Lorna, a young Albanian immigrant, charmed international critics and made her the first Kosovar actress in history to walk the red carpet at the Cannes Film Festival, where...

Author: /time Magazine | Title: Kosovo to Cannes: Arta Dobroshi's Journey to The Silence of Lorna | 3/2/2009 | See Source »

...said Graham T. Allison ’62—a colleague of Carter’s at the Belfer Center—in a statement released yesterday. Former Dean of the Kennedy School Joseph S. Nye, who has been offered the position of U.S. ambassador to Japan, echoed Allison’s statement, calling the nomination a “terrific choice” when rumors of Carter’s potential nomination first circulated. Though Carter is a leading expert on arms control, he has not spent his career in either government procurement or with the weapons industry...

Author: By Lauren D. Kiel, CRIMSON STAFF WRITER | Title: Carter Named U.S. Weapons Buyer | 2/27/2009 | See Source »

After the bursting of Japan’s asset bubble in the late 1980s, its economy showed little growth in a period known as the “Lost Decade.” Over the following years, Japan injected capital into banks that were likely to be insolvent so that they could stay open without dealing with the reality of their liabilities. This story sounds grimly similar to the Troubled Assets Relief Program, by which the Treasury handed $700 billion to the nation’s banks with little positive result. The consequences of the Japanese—and hence...

Author: By The Crimson Staff | Title: (Don't Fear) the Receiver | 2/27/2009 | See Source »

...Awards recognized this is a big encouragement to the Japanese film industry," she says. Festivals like Berlin, Venice and Cannes have recently given more recognition to Japanese films, of which more than 400 were released last year in the domestic market. They now outnumber foreign films being shown in Japan, and increased competition in the film industry is slowly improving the quality of films and creating an environment for movies like Departures, to rise to the top. (See pictures of Japan...

Author: /time Magazine | Title: Japan's Double Oscar Victory | 2/25/2009 | See Source »

...Despite a quiet opening in Japan, Schilling said he was hopeful that Departures would win. "The film didn't have blockbuster written all over it when it was released, and I don't think the producers and distributors had great expectations," he says. "But word got out that it was more than a film for old people and it became a mass phenomenon in Japan." Takita, 53, got his start in adult films but, until now, is probably most remembered as the director of the 1999 film Secret (Himitsu), which was eventually reamde by French director Luc Besson. Takita beamed...

Author: /time Magazine | Title: Japan's Double Oscar Victory | 2/25/2009 | See Source »

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