Word: jargonized
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Dates: during 1960-1969
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Wakefield deftly shuttles back and forth between the two nations, from the cops to the hippies, from Kiwanians to the ghettos, from an energetic retirement village to a listless Indian reservation. The organization men, rich or poor, high or low, spout a lifeless, insensitive jargon. The unorganized are often speechless. Wakefield could hardly coax any words out of a young Indian man at a Phoenix school. But a white teacher was full of answers, such as "There are ten sociological variables which influence why Indian students become dropouts." Yet, Wakefield found grounds for hope. An Indian militant was distributing cards...
They talk a kind of pseudo-legalese, parliamentary jargon which must have been perfected through several generations of responsible legislators. I felt like an anthropologist stranded in a strange alien ceremony without an interpreter...
Trying to outguess that uncertainty can be particularly frustrating to small investors. Why, for example, when a company announces higher earnings, does its stock so often go down? In their jargon, brokers and analysts say that they have already "discounted" the news-meaning that they anticipated it and "sold on the news." An investor might also think that market averages will fall when other small investors sell more stock than they buy. In fact, markets often go up because professionals figure that small "odd-lotters" overreact and are generally wrong...
Tracy plays a liberal newspaper editor who comes home one afternoon to find his daughter (Katharine Houghton) engaged to a too-too successful doctor (Sidney Poitier) who, in the jargon of the early 60's, "happens to be a Negro." Of course the liberal editor turns out to have trouble practicing what he preaches, whereon the plot of the movie is hinged. William Rose's screenplay offers humor (the girl's parents' reaction on meeting Poitier; his parents' reaction on meeting Miss Houghton), suspense (who will talk to whom in which room next?), and incisive social commentary (we are brothers...
...efforts to get abreast of 1968 jargon and sexual tolerance, Samuel Taylor continues to live in the past. It speaks, well for the past. Taylor's new play Avanti, the offspring of now-forgotten works by S. N. Behrman and Philip Barry, already holds its own against the best Broadway comedies current; with a little rewriting, and one much-altered performance, it could succeed on a more absolute level...