Word: jarmusch
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Dates: during 2000-2009
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...lanky, laconic figure who often sports a mohawk and downplays his experimentation as a part-time sideline to commercial TV work, the Ipoh-born Lee has been honing his craft for nearly a decade - moving beyond amateurish imitations of Jim Jarmusch where quirky characters seemed to inhabit a lot of dead, plotless space...
...1990s, New York City's Wu-Tang Clan proved to be one of the decade's most intense, wacky and essential rap groups. The nine-MC Clan was led by the RZA, who in recent years has gone on to release several solo albums and film scores (Jim Jarmusch's Ghost Dog and Quentin Tarantino's Kill Bill). His latest project, a book released this month called The Tao of Wu, is half-memoir, half-spiritual guide. The rapper and entrepreneur, whose real name is Robert Diggs, talked to TIME about the history of hip-hop, cult films...
...middle-class mother frantically trying to protect her son and the status quo. And she's scary-good as two underclass drabs: a fishwife having a torrid, ruinous affair with Ewan McGregor in Young Adam, or Bill Murray's ex-girlfriend, now trailer trash, in Jim Jarmusch's Broken Flowers. (She also has a few moments in Jarmusch's new film The Limits of Control...
...Lone Man makes his way from Madrid to Seville and then into the countryside toward his wealthy target, American, aka the Man (Bill Murray, who starred in Jarmusch's lovely Broken Flowers), he encounters a cast of characters who trade boxes of matches with him and pass on more tidbits of instruction along with commentary on art and culture. There's Guitar (John Hurt), Mexican (Gael Garcia Bernal) and the most helpful of all, Blonde (Tilda Swinton), who is a fan of Jarmusch-style cinema. "The best films are like dreams you're never really sure...
...profound really, what Jarmusch is doing. Oh wait, here she comes again. Still naked. And Lone Man is still not going for it, because he doesn't do sex while he's working. But he's sitting next to her on the couch. And absolutely every human being in the theater, having absorbed the profundity of the Nude's nudity, is now admiring her admirable breasts. Her third scene includes some wardrobe, namely a clear plastic raincoat, which has to be meaningful. Finally, she puts on a fuzzy sweater, but still no pants, which tends to draw the eye downward...