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...Shepherd since their Paris, Texas won the Palme d'Or in 1984. Or that there will be a special savor to Tommy Lee Jones' directorial debut, The Three Burials of Melquiades Estrada, written by Guillermo Arriaga, of Amores Perros and 21 Grams fame. Or that Broken Flowers, with Jim Jarmusch directing Bill Murray, Jessica Lange, Sharon Stone and Tilda Swinton, will launch that indie icon into the movie mainstream. Woody Allen's last film, Melinda Melinda, was a little better than his recent dogs. Perhaps Match Point, with Scarlett Johansson, will signal a return to his old ... competence...

Author: /time Magazine | Title: Cannes Diary: Episode LVIII: A New Hope | 5/11/2005 | See Source »

...redefined himself as an Oscar-nominated actor unrivaled at portraying middle-aged regret. At the same time, he has become something like the new Harvey Keitel but with a bigger paycheck--the favorite star of a generation of distinctive and mostly younger filmmakers, including Anderson, Coppola and Jim Jarmusch, who will direct Murray's next film, a still untitled project set for release later this year. For directors like those, Murray's inwardness, his air of wounded integrity, his sheer, irreducible strangeness operate as correlatives for their originality as filmmakers. And Murray in turn can sometimes lead his fan base...

Author: /time Magazine | Title: The Many Faces of Bill | 1/3/2005 | See Source »

Murray, who grew up in a blue-collar family, suggests that his outbursts are generally spurred by a still fiery sense of class resentment and empathy for the underdog. On the set of his new film for Jarmusch, Murray got into a fracas with the location manager when he arrived at a rented house for a scene with child actors and discovered that there was no heat. When he started a fire in the fireplace, the location manager told him to stop. "'Who are you?'" Murray says, whispering, as he recalls the story, in the same intimidating hush he used...

Author: /time Magazine | Title: The Many Faces of Bill | 1/3/2005 | See Source »

...CINEMA: Java from Jarmusch...

Author: /time Magazine | Title: Complete List of Articles | 7/20/2004 | See Source »

...course, in the realm of the sweetly surreal, especially since Jarmusch's film, despite all its here-and-now actors, is shot in the kind of murky black-and-white that one associates with '50s B pictures. It feels as if it has been recovered from a time capsule, and what larger meaning it may have is anyone's guess. But it is way cool--and funny--in ways that more expensive comedies trying harder rarely are. --By Richard Schickel

Author: /time Magazine | Title: Movies: Caffeine and Nicotine | 5/24/2004 | See Source »

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