Word: jarrette
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...letter to the editor written by Jarrett N. Blanc '97 (May 10) completely misunderstood the purpose and significance of the April 25 non-disruptive protest of Kenan Professor of Government Harvey C. Mansfield's '53 recent editorial, belittling the effort by calling it "intellectualy hollow." If Mr. Blanc "often disagrees" with Mansfield's views on the issues at hand, we hope that he has taken the time to debate his views with Mansfield. We, on the other hand, chose to make a visual statement with 16 other conscientious students. The purpose of the protest was not to impress students...
...Mansfield on the issues either in person or on the pages of the campus press would have proven the protesters capable of formulating opinions beyond "we agree" and "we despise." I do not believe that civil and intelligent discourse is too much to ask of Harvard's student body. --Jarrett N. Blanc...
...Jarrett's uncompromising career took off in the mid-1970s with his seminal solo-improvisation concerts in Europe--with 2 1/2 million copies sold, his 1975 album, The Koln Concert, is the best-selling solo-piano album ever. "Music should be thought of as the desire for an ecstatic relationship to life," explains the former disciple of the mystic philosopher G.I. Gurdjieff. "Music has to have a deep joy inside...
...native of Allentown, Pennsylvania, Jarrett (who is of Hungarian and Scottish-Irish extraction, not African-American, as some have supposed from his appearance) began giving piano recitals in his hometown at the age of seven. He turned down a chance to study in Paris with the late Nadia Boulanger, teacher of three generations of American composers. "It wasn't a casual 'No,'" he recalls. "I was developing a way with music that would be better off minus the labels on everything, minus the descriptions, minus the analysis...
...Instead, Jarrett, who also plays the saxophone, recorder, drums and numerous other instruments, chose a year of jazz study at the Berklee College of Music in Boston and then apprenticed himself to a series of cold-water flats and smoky New York City jazz clubs. He got a break in the mid-1960s by sitting in with saxophonist Rahsaan Roland Kirk; that was followed by gigs with Charles Lloyd and Miles Davis and eventually a solo career, encouraged by German record producer Manfred Eicher, who recorded the young Jarrett on the fledgling ECM label in 1971, and has produced...