Word: jarretts
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Pianist McCoy Tyner's compositions, which feature straight-ahead improvisations around themes with strong rhythms, seem perfect for Carter. While Keith Jarrett is probably the premier jazz piano soloist today, Tyner is the greatest group player and composer. And Tyner's albums, especially the trio recordings, bring out the best in Carter. "Trident"--a trio recording featuring Elvin Jones on drums--is an amazing album, from Tyner's innovative use of the harpsicord to Carter's short-and-to-the-point solos. Carter, who is now one of the top recording bassists, also plays on Tyner's "Fly With...
MEET CONRAD JARRETT, ordinary American High School kid with A grades and a varsity letter. He's a shy, quiet isolated type of guy--the kind that's always worrying about being polite, maintaining control, not offending anyone. But there is something wrong with Conrad Jarrett. At eighteen he's a failed suicide with red-scarred wrists to prove it and eight months in a hospital to show for it. Conrad is scared of something inside himself, something that makes him feel like a piece of glass on the verge of shattering. What Conrad is afraid...
...again in America. Record manufacturers have a boomlet on their hands. In the next year 20 labels will spin out more than 350 reissues alone, in addition to new jazz. The buyers are clamoring for Jelly Roll Morton, Fats Waller, Duke Ellington and Benny Goodman, as well as Keith Jarrett and George Benson. Jazz disks that once were counted hot numbers if they sold 20,000 copies now find a market for 200,000 or more. There is scarcely a major college campus that does not offer a jazz course or harbor student combos. The Newport and Monterey jazz festivals...
Scarlatti Romp. If contemporary jazz has a new cynosure, it is Pianist Keith Jarrett, 31. A virtuoso performer who was trained in the classics, Jarrett is a flawless, controlled technician who scales melodic altitudes that recall the late piano genius Art Tatum. Jarrett's great gift is improvisation, which he weaves effortlessly for as much as 25 minutes at a sitting. His textures are densely contrapuntal, his melodies sometimes Chopinesque. At one moment he can sound like a Latin band on the march, at another like Copland playing variations on Elliott Carter, at still another like Scarlatti in a rhythm...
...KEITH JARRETT: THE KÖLN CONCERT