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...Herald Tribune. He left New York's music public gasping with his very first column, a deft and devastating panning of the sacrosanct Philharmonic-Symphony ("the sombre and spiritless sonority of a German military band"). Thereafter, he shaded old-style critics by his saucy phrases, e.g., hearing Violinist Jascha Heifetz overpower a sonatina "made one feel . . . that one had somehow got on the Queen Mary to go to Brooklyn." His compliments were apt to be delivered off his backhand: one composer, he said, "wrote Mexican music ... in the best Parisian syntax. No Indians around and no illiteracy...

Author: /time Magazine | Title: Music: Tired of Listening | 8/2/1954 | See Source »

...helping young artists-musical competitions. Said he: "I shall never again be a contest judge. Too often they are downright absurd. Why insult and discourage 14, let us say, to honor or help one?" The last time he judged a contest. Piatigorsky said, he and his fellow judge, Violinist Jascha Heifetz, heard a singer, a flutist, a clarinetist and a composer. "Now how can one say who is best among different categories? Can you compare an orange and a bicycle? Can one say which is better? They were all good young artists." Piatigorsky insisted that each contestant get a prize...

Author: /time Magazine | Title: Music: Orange v. Bicycle | 7/5/1954 | See Source »

Other notable new records: all five of Beethoven's adult Piano Concertos, played by Wilhelm Kempff and the Berlin Philharmonic under Paul van Kempen (Decca, 3 LPs); all of Beethoven's Violin Sonatas, played by Jascha Heifetz (Victor 5 LPs); Ernest Bloch's String Quartet No. 2, played by the Musical Arts Quartet (Vanguard...

Author: /time Magazine | Title: Music: New Records, Feb. 22, 1954 | 2/22/1954 | See Source »

Violinist Jascha Heifetz...

Author: /time Magazine | Title: RADIO: Program Preview, Jan. 25, 1954 | 1/25/1954 | See Source »

Bach: Sonatas and Partitas for Unaccompanied Violin (Jascha Heifetz; Victor, 3 LPs). Master Fiddler Heifetz brings some of the repertory's toughest music to life with his superb confidence and technique. There are a few passages where technique seems uppermost in his mind, but for the most part the slow movements have appealing warmth and the fast ones take off in whirlwinds of color...

Author: /time Magazine | Title: Music: New Records, Sep. 28, 1953 | 9/28/1953 | See Source »

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