Word: jasper
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Marden admired Jasper Johns -- a critic in the '70s brusquely but memorably wrote off an abstract twin-canvas picture by Marden as "Jasper's Painting with Two Balls, without the balls." And like Johns, he worked in a mixture of oil paint and wax, a false encaustic that gave his surfaces both substance and an inner glow, as if light were working its way through layers of slightly dusty translucency. You thought of it as skin. Marden was a brilliant colorist, in a very tuned-down way. His warm grays and brick reds, his low thick blues and his blocks...
...Andy Warhol said, was "about liking things." Around 1960 -- actually a few years before that, if you date it from the early combine- paintings of Rauschenberg, Jasper Johns' flags and targets and, earlier in the '50s still, the work of Larry Rivers -- a number of young artists emerged in New York City, Paris and London who had little in common beyond their curiosity about the largely disparaged sea of mass media and commercial persuasion: ads, billboards, newsprint, TV montage and all kinds of kitsch. In the '20s Dadaists and Surrealists had been fascinated by this too, but Pop art dived...
...sociologist James Jasper of New York University, today's would-be censors and neo-Puritans belong to two disparate groups. One consists of those, frequently working class in origin, who feel their status threatened by differing life-styles -- hence their hostility to drugs and casual sex and their sympathy for the goals of decency-obsessed media baiters like the Rev. Donald Wildmon or Senator Jesse Helms. The other group, Jasper says, consists of cause-oriented activists, such as animal rightists and environmentalists, who are intent on making people think about the consequences of letting endangered species die out or contaminating...
...next step is to patch in some disconnected quotes from Modern Life, like a comic-strip balloon, a '30s car, a nude or an outline drawing of a chair. These can be repeated from picture to picture, thus giving the impression that such images are obsessive, a la Jasper Johns. This will lend an expectation of profundity to the series. Why profound? Because Salle, as everyone now knows, has discovered important metaphors of the meaningless overload of images in contemporary life. Thus his pictures enable critics to kvetch soulfully about the dissociation of signs and meanings, and to praise what...
...Great Auction Wave in contemporary art, which rose amid the financial euphoria of 1982 and crested in late 1989, is now over, vanished into the sand. Just as one of its signs was the auction-room applause that greeted some new price level -- $17 million for a Jasper Johns, $20.7 million for a De Kooning -- so its end was marked by another kind of applause...