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...paintings of Marden, 36, are almost too simple: they are groups of canvases butted together in diptychs or triptychs, each surface painted one uniform color-usually a drab, dense gray. It seems an inert formula but it is not, largely because of what Marden learned from Jasper Johns-how to spread a skin of oil and wax over the surface of a canvas with such subtlety that, though monochrome, it is full of half-suppressed or latent incidents. The paintings do become objects of contemplation, like landscapes; but their austerity is so low-keyed as to risk blandness...

Author: /time Magazine | Title: Art: Eight Cool Contemporaries | 11/11/1974 | See Source »

Among the hardest-hit regions was northwestern Alabama. The main street of Jasper (pop. 11,300) sustained $14 million worth of damage and was practically wiped out. The city hall was demolished and the stone courthouse left close to toppling. Radio Announcer Joel Cook of station WARF gasped to listeners, "We can't talk to the police department-it just blew away." In the same region, 19 persons were killed, most of them from the small town of Guin, Ala. (pop. 2,200). Reported a state trooper after the storm: "Guin just isn't there...

Author: /time Magazine | Title: DISASTERS: Twister Terror: Nature Runs Wild | 4/15/1974 | See Source »

Goode's constructed fragments of staircases are among the emptiest works of art ever to travel east of the Rockies, and Ruscha's variations on the painted word-as-object, which derive from Jasper Johns, are so cute that Alloway's normal eloquence is reduced to calling them "deceptively obvious." In fact, their obviousness is not deceptive; it is just obvious. And Ramos, whose Batmen and Playboy Bunnies go as far as pop ever went in unctuous, opportunistic triviality, seems to be in the show merely to illustrate an amusing feedback loop between pop and commercial...

Author: /time Magazine | Title: Art: The Instant Nostalgia of Pop | 4/15/1974 | See Source »

...modern investment fetishism, likes to point out that the prices paid in their day for the works of Victorian painters like Alma-Tadema (when multiplied by 30 to bring them into line with the devalued dollar of the '70s) would make the cost of a Pollock or a Jasper Johns today seem almost reasonable. It is said that the Marquess of Westminster, when asked to send a painting from his collection to the 1857 loan exhibition in Manchester, gruffly sent a framed ?100,000 bank note instead...

Author: /time Magazine | Title: Time Essay: A Modest Proposal: Royalties for Artists | 3/11/1974 | See Source »

...course, our eyes are prepared for it by modern art. The Flag Gate, found in Jefferson County, N.Y., with its wavy battens of red-painted wood delicately mimicking the ripple of fabric stripes in a breeze, inevitably suggests Jasper Johns' flag paintings, but that is only an accident. Likewise, a deliciously anthropomorphic wool winder (see cut), with a human head and the hub of a decorated worm gear for its belly button, predicts the surreal wooden constructions of H.C. Westermann. And then there are the quilts. The best products of America's 19th century women quilt makers anticipate...

Author: /time Magazine | Title: Art: Whittling at the Whitney | 2/4/1974 | See Source »

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