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Word: jasper (lookup in dictionary) (lookup stats)
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...Imposteur reads the caption at the bottom. Martin Carey, a fine-line draftsman of frogs, insects and flowers, turned his block on its side, decorated it with butterflies and found, much to his surprise, that it reminded him of both an owl and a soldier's helmet. Jasper Johns coated his block with metallic plaster-and his dealer put a price of $9,000 on it. Andy Warhol stripped his hat block down to its core and discovered a phallic symbol; with characteristic idiosyncrasy, he priced it at 3? (the gallery promptly bought...

Author: /time Magazine | Title: Art: Old Hat No More | 12/19/1969 | See Source »

Circular Beds. Nonetheless, he brought in Architect Jasper D. Ward, who has a reputation for imaginative renovation. Two years ago, Ward transformed Louisville's abandoned Illinois Central Railroad station into the nostalgically appointed Actors Theater. Ward concluded that the silos could in deed be converted into twelve-story apartment buildings for an estimated cost of $2,000,000. Work will begin next January, and the first tenants are expected to move in in early 1971. Plans call for installing floors either by pour ing cement into forms at every level or by affixing prefabricated circles. Jackhammers will cut windows...

Author: /time Magazine | Title: Housing: Silos for Singles | 9/19/1969 | See Source »

...Children's Rate. As in the book, Rooster is "an old one-eyed jasper built along the lines of Grover Cleveland." Full of booze and passion for justice, he sees himself as a law and ardor candidate. His politics are symbolized by the itchy trigger finger, and his judicial philosophy is summed up in a tidy homily: "You can't serve papers on a rat." Grousing around a courthouse, he comes on Mattie (Kim Darby), a girl as flat and solid as an oak board. She talks Rooster into giving her his children's rate for catching...

Author: /time Magazine | Title: New Movies: Law and Ardor Candidate | 7/4/1969 | See Source »

...side of modern art." No other artist has ever utilized the unconscious as brilliantly as he. Full Fathom Five is not the largest or most significant Pollock at the current exhibition, but it has a special fascination, for it contains in embryo the later paintings of Robert Rauschenberg and Jasper Johns. Its panorama of steely swirls is underlaid with nails, cigarettes, tacks, buttons and other detritus-yet all made lovely, as it were, by lying drowned at the bottom of a sea of paint, vividly evocative of Ariel's song in The Tempest...

Author: /time Magazine | Title: Painting: The New Ancestors | 6/27/1969 | See Source »

...nothing's happened." The once well-manicured lawn has been turned into a badminton court, to the Gallic gardeners' profound dismay. The residence's ornate furniture has either been shoved aside or put in storage. The walls are now covered with paintings by Jackson Pollock, Jasper Johns and Georgia O'Keeffe, plus a collection of Indians by George Catlin and Roy Lichtenstein's pop portrait of George Washington...

Author: /time Magazine | Title: Diplomacy: The Liveliest Ambassador | 11/1/1968 | See Source »

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