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...opening program at the Welles will be Bunuel's simon of the Desert and Welles's Immortal Story; the midnight show is Don Siegel's Invasion of the Body Snatchers. Peter Jaszi '68, Gitter's film booking agent, plans to book both first-run art films and rarely seen American classics into the theatre. Audience suggestions will be a prime factor in his selection of films, he said...

Author: By Frank Rich, | Title: Parade, City Council Proclamation Greet New Orson Welles Cinema | 4/8/1969 | See Source »

...that certainly was a terrifyingly impressive, distant and coherent group of people. It was the same Tim Mayer-Thomas Babe directed group that Howard Cutler worked with, and included comedian Stephen Kaplan '68, stage manager Victoria Traube '68, and producer and HDC president Honor Moore '67, Peter Jaszi '68, and Michael Boak '69, among others...

Author: By Deborah R. Waroff, | Title: What Makes Techies Run | 3/7/1969 | See Source »

...moons, are in orbital conjunction. Cinerama, as such, has never been used better, and the special effects are revolutionary. I don't honestly think anything more need be said about 2001 at this point. Should anybody want to read the official CRIMSON interpretation, the long review by Peter Jaszi, Steve Kaplan, and myself, has been reprinted in the current issue of Film Heritage...

Author: NO WRITER ATTRIBUTED | Title: The Ten Best Films of 1968 | 1/14/1969 | See Source »

...film Steve washing his wrist before the blood coagulated. We got the needed shot--blood-stained water flowing down the drain (a la Psycho)--packed up the equipment and went to sleep. We needed sleep because the next day we were going to film a scene in which Pete Jaszi, playing Sinister Butler, got hit in the knees with an easel hard enough so that it would break the easel...

Author: By Kevin Brownlow, | Title: The Parade's Gone By... | 12/6/1968 | See Source »

...wonderful--the clarity of language and the play's comic potential are unfolded in the exciting and inventive reinterpreation of dialogue and characterization, reinterpretation remaining faithful to Shakespeare's intent in its bawdy humor, essential ambiguity, and emphasis on magic. Reviewing Orson Welles' film Falstaff, the Crimson's Peter Jaszi attributed to Welles "a single overriding concern: to make the text, both the words and the visual images implicit in them, wholly and completely his own, and thereby to make them ours." This can, with A Midsummer Night's Dream, be said of Mayer, and his success is very much...

Author: By Tim Hunter, | Title: Midsummer Night's Dream | 7/12/1968 | See Source »

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