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...French Quarter. The Times-Picayune reports that about 37,000 of them are in town for a convention. The locals stare at these visitors who take pictures of streetcars, wait for the signal to let them cross empty intersections, and wear conspicuously colorful “Jesus Justice Jazz?? t-shirts...

Author: By Hyung W. Kim | Title: Thanks, But No Thanks | 7/29/2009 | See Source »

That realization hastened jazz??s fade into the background of my own life. The curious alchemy of Harvard also played a part; my time here transmuted my interests in mysterious ways. I had once treated jazz as a possible future occupation, but during my time in college I stopped practicing and found that I couldn’t ignore the allure of rap and rock (I guess I’d been missing lyrics). I became increasingly interested in writing about music, not playing...

Author: By Jake G. Cohen | Title: Background Music | 6/2/2009 | See Source »

Find yourself wanting to just whistle some Dixie? Jonesing for some jazz? Then, get your fix during Arts First weekend at the Harvard Dixieland Ensemble’s “New Orleans to New England: Dixieland and Early Jazz?? performance tomorrow in Memorial Church. The 10-member ensemble will present an array of ragtime, traditional jazz, and Dixieland favorites, including “Down By the Riverside,” “Alabama Jubilee,” “Royal Garden Blues,” and “Eyes of Blue...

Author: By Monica S. Liu, CONTRIBUTING WRITER | Title: Saturday in Dixieland on the Charles | 5/5/2009 | See Source »

...dividing into pairs and mirroring each other, again emphasizing the dreamy, aquatic nature of the piece. The formal nature of the movements is perfectly articulated, quietly mesmerizing the viewer. The central piece, “Rubies,” represents the new American style of dance—namely jazz??that Balanchine discovered upon arrival his arrival in New York City. The dancers in this piece are predictably dressed in ruby-red, the women donning the skimpiest outfits of the production—perhaps a nod to the New York City jazz clubs. The salacious energy of jazz...

Author: By Catherine A Morris, CONTRIBUTING WRITER | Title: Boston Ballet Dances 'Jewels' | 3/1/2009 | See Source »

...things in my sleep, and, in keeping with what I want, I go for it.” Delivering on that promise, the films screened last weekend reflected an appreciation for spontaneity and innovation. “I was amused by making a kind of ‘jazz?? film,” Jacobs said in reference to his 1964 work “Window.” “A film that was made in the camera. No editing—a truthful film.” The short film is 16 minutes of pure silence...

Author: By Noël D. Barlow, CRIMSON STAFF WRITER | Title: Jacobs Transcends 2-D | 2/12/2009 | See Source »

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