Word: jazz
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...former taxi drivers' restroom on Gerrard Street in London's Soho was the first home to young tenor sax player Ronnie Scott's jazz club, which he founded in 1959 and hoped would rival those he'd visited on New York City's 52nd Street. By the time the club moved in 1965 to slightly larger premises round the corner at 47 Frith Street, Ronnie Scott's had become a British home away from home for American hardboppers like Zoot Sims, Dexter[an error occurred while processing this directive] Gordon and Sonny Stitt. And it's been known simply...
...DIED. Miguel (Anga) Diaz, 45, considered the finest conga virtuoso of his generation, who energized genres from jazz to traditional Cuban standards with his battering five-drum technique; of a heart attack; in Sant Sadurni d'Anoia, Spain. A player on the 1997 trilogy of albums of Cuban maestros that launched the Buena Vista Social Club phenomenon, Diaz became a force on the British label World Circuit, which last year released his album Echu Mingua, an electrifying mélange of West African music, hip-hop and riffs on jazz classics...
...recording. But it's what Barton does with his buzzing mouth and lips that is revolutionizing the instrument. Barton has developed a fast-tongued technique that is taking the didgeridoo into new sonic realms, conjuring the spirit of a dingo or a crow with the brilliance of free-form jazz. He can also shift seamlessly between four different one-note instruments, all powered by his Herculean circular breathing (meaning he rarely needs to come up for air). "He's constantly inventing new ways of playing the instrument," says Liza Lim, composer in residence at the Sydney Symphony. "It's such...
...Jazz musicians have taken inspiration from the classics before, but surely songwriter-singer-pianist Barber is the first to base a song cycle on Ovid's Metamorphoses. Her Pygmalion is sweetly yearning, her Persephone sexy over a Latin beat. In the hard-edged Whiteworld/Oedipus, the Greek King is an arrogant white imperialist in the Third World. These intricate, ruminative works are a long way from the blues in B flat--and they're worth the stretch...
DIED. Miguel (Anga) Diaz, 45, considered the finest conga virtuoso of his generation, who energized genres from jazz to traditional Cuban standards with his battering five-drum technique; of a heart attack; in Sant Sadurni d'Anoia, Spain. A player on the 1997 trilogy of albums of Cuban maestros that launched the Buena Vista Social Club phenomenon, Diaz became a force on the British label World Circuit, which last year released his album Echu Mingua, an electrifying mélange of West African music, hip-hop and riffs on jazz classics...