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DIED. Louise Brooks, 78, jazz-age actress of rare beauty and artless eroticism who animated the silents' stereotype of the flapper in such films as Love 'Em and Leave 'Em (1926), deepened and darkened her allure in A Girl in Every Port (1928) and reached her apex as Lulu, the embodiment of sexual energy and evil in Austrian Filmmaker G.W. Pabst's Pandora's Box and its sequel Diary of a Lost Girl (1929); of a heart attack; in Rochester. Unable or unwilling to accommodate to the Hollywood system, she saw her star fade out by 1940. Her crisp essays...

Author: /time Magazine | Title: Milestones: Aug. 19, 1985 | 4/18/2005 | See Source »

What follows, listeners know, will be two hours of Keillor and his friends, which is to say of honky-tonk piano, jazz, mournful old Protestant hymns and country music, much of it from some fairly strange countries. This flow of funk is interrupted by loopy commercials for the Deep Valley Bed, the kind with the old-time mattress that sags in the middle, making prolonged marital discord impossible; Bertha's Kitty Boutique, where doting and guilt-ridden cat owners can find, among other cossets, a special cat ice cream called Gatto Gelato to cool kitty's tongue on hot days...

Author: /time Magazine | Title: Lonesome Whistle Blowing | 4/18/2005 | See Source »

...other things, he began a five-day-a-week early morning classical-music show for a public radio station at St. John's University in Collegeville. The Prairie Home Morning Show, as it came to be called, moved to the Twin Cities, where it broadened and loosened to include jazz, country music, fake commercials and references to an obscure place called Lake Wobegon. (He stopped doing that show only three years ago.) "I think he started the show--well, who knows," says his brother. "He has said he was scared. A lot of people deliberately do things that they...

Author: /time Magazine | Title: Lonesome Whistle Blowing | 4/18/2005 | See Source »

...Sting the perfect person? If we are to believe this film, the rock idol comes as close to that status as mortal man may aspire. It chronicles, from early rehearsals through first concerts, the formation of his new band, composed entirely of black American jazz musicians. Sting is convinced that their music and his should cross-fertilize. Besides, he is striking a blow against the "reactionary and racist" music business. Objectively, it has never seemed a dangerous hotbed of those sentiments, but the man's heart is in the right place. Just watch him being loyal, trustworthy, gutsy and modest...

Author: /time Magazine | Title: Cinema: Rushes: Nov. 18, 1985 | 4/18/2005 | See Source »

...show also included a jazz quintet from MIT, an original song, “Lipstick on my Pillow,” and a three-part fashion show featuring sequins, flirty skirts, and plenty of skin...

Author: By Aria S.K. Laskin, CONTRIBUTING WRITER | Title: Club Hosts Caribbean Splash | 4/18/2005 | See Source »

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