Word: jazz
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...find it challenging to compose for an orchestra instead of a jazz band? Yes. The most difficult thing is that we play two different languages. It's really difficult to orchestrate and to know what will get what effect out of the orchestra. I'm continuing to work on it because I'm a great fan of classical music. I've played a lot of it. I grew up listening to it. But that's very different from writing it. (Read "Wynton Marsalis: Horns of Plenty...
Wynton Marsalis is already the most renowned jazz musician of his generation. Now, he's trying out a new musical style: mixing classical with the blues. On Nov. 19, the Atlanta Symphony Orchestra will premier Blues Symphony, Marsalis' first work composed exclusively for orchestra. It celebrates the blues through moments in American history and, in Marsalis' words, "incorporates the call-and-responses, train whistles, stomp-down grooves, big-city complexities and down-home idiosyncrasies of Afro-American and American music." Ahead of the symphony's premiere, the jazz master spoke with TIME about working with an orchestra, the significance...
...want to celebrate the blues? Because the blues is the basis of most American music in the 20th century. It's a 12-bar form that's played by jazz, bluegrass and country musicians. It has a rhythmic vocabulary that's been used by rock 'n' roll. It's related to spirituals, and even the American fiddle tradition. (Read "Montreux: Beyond the Blues...
...centerpiece of “Constellation”—the tree—alludes to a recurring symbol in Biggers’ work. The artist refers to the tree as a “primordial form” and compares its use in his art to a jazz standard, in that it serves as a basis on which he can expand in different artistic directions. For Biggers, a tree can recall the Tree of Life and the Tree of Knowledge. However, while the lush and fully grown tree in “Blossom” exudes vivacity...
...financial requests and they decide whether or not they want to grant them,” he says. “For instance, this semester we asked for two new sousaphones and new speakers for the band room. Sometimes, directors will also ask for commissions for pieces for the Jazz Band and Wind Ensemble...