Word: jazz
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...jazz influenced your writing? Jeremiah Boydstun Mililani, Hawaii I owned a jazz club and was listening to jazz every day from morning to night. I appreciate the sense of rhythm and improvisation. A good musician doesn't know what's going to happen next. It's spur of the moment. When I write a novel or story, I don't know what is going to happen next...
...Utah Jazz's Deron Williams nailed a three pointer at the buzzer to end the first half with the score at 55-43 and give the U.S. some much needed breathing room. Team USA had led by just one at the end of the first quarter, and the quick silver Australian point guard Patrick Mills - "an NBA player for sure," said the admiring U.S. coach Mike Krzyzewski afterwards - was giving them cause for concern, and ended up with 20 points...
...decades, Japan learned to love things foreign. By the 1980s, housewives chatted knowledgably about Cezanne or osso bucco. Novelist Haruki Murakami riffed on the cultural alienation many Japanese feel by filling his books with meditations on jazz and the Beatles. Top Japanese fashion designers decamped to Europe, while those back home emblazoned T shirts with phrases in broken English. Some chefs even abandoned traditional cuisine for the glories of beef stew or the potato croquette. "For my parents' generation, cool meant something was from the West," recalls fashion designer Ogata. "The subtext was that Japan wasn't cool...
...After the Rogers parade, Franken rides an hour to the Chisago County Democratic-Farmer-Labor Party BBQ, where he asks the jazz band of elderly men to play him in. In front of 50 people, he delivers his stump speech about how kids he meets in high schools cannot remember an America that is respected in the world. Then he jogs off to serve hot dogs. Standing nearby is Jim Oberstar, a Democrat in the House since 1975, who marvels at how hard Franken has worked the state. Oberstar has given Franken only one bit of advice, which he delivered...
...Hayes' imposing frame, and a stare that managed to intimidate and seduce, made the songwriter a natural for performing. Oddly, his first LP was the jazz-inflected, discursive Presenting Isaac Hayes. Not until Hot Buttered Soul in 1969 did he connect with the public, and even this album contained several cuts that ran 8 to 10 mins. He'd take a Burt Bacharach song and spin it into soul-improv infinity, or begin his version of Jimmy Webb's By the Time I Get to Phoenix with an 8-min. monologue. Whether singing or speaking, the man could hold...