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...what O’Connorrefers to as cross-pollination, a fusionof genres that he believes is necessary ina musician’s development of a uniqueand new style. O’Connor embraces allforms of American music, composingand recording in a wide array of genres,including folk, classical, and jazz. Althoughhe has had success in all ofthese genres, his desire to explore wasdiscouraged early in his career. However,O’Connor’s fusion of genres hascreated a new form of violin music. Hehopes that his creativity and synthesisof genres will inspire his fellow musicians...

Author: By Melanie E. Long, CONTRIBUTING WRITER | Title: Fiddling With New Music | 3/13/2008 | See Source »

...that the whirlwind nature of his tour of Africa did not allow him to practice and internalize specific songs. “The music I learned in Africa is insidiously a part of me,” he said. Now back from his break, Fleck is currently touring with jazz pianist Chick Corea, one of his main inspirations. He shared other sources of his early inspiration, including the theme song for “The Beverly Hillbillies.” Fleck first heard the banjo at the age of four while watching reruns of the popular show at his grandparents?...

Author: By Meredith S. Steuer, CONTRIBUTING WRITER | Title: Béla Fleck Plays New Film, Banjo | 3/7/2008 | See Source »

...annual showcase of talent from Harvard’s diverse student groups, featured 28 different performances this Saturday. Every year, the Harvard Foundation for Intercultural and Race Relations, which sponsors the event, chooses an Artist of the Year to honor, as well. The 2008 recipient—celebrated jazz musician Herbie Hancock—took to the stage with a large smile on his face at the show’s start and hosted the night with ease. In the spirit of welcoming the jazz giant to Harvard, the show opened with Marcus Miller...

Author: By Tiffany Chi, CONTRIBUTING WRITER | Title: Dancing to the 'Cultural Rhythms' | 3/7/2008 | See Source »

...gigged in Toronto clubs before starting his best-known group, the Jeff Healey Band. The blues-rock trio, who got a boost from their role in the Patrick Swayze film Road House, made it big with the achy, affecting 1989 hit Angel Eyes. On the side, Healey played jazz and deejayed a Canadian Broadcasting Corp. radio show drawing on his collection of 25,000 old 78-r.p.m. jazz records. Healey, who battled cancer all his life...

Author: /time Magazine | Title: Milestones | 3/6/2008 | See Source »

...balanced with a fulfilling pursuit of mediocrity in others. At Harvard, my friends and I often felt pressured to pursue what we did best at the expense of everything else. My unserious interest in photography was set aside, as was my roommate’s in playing jazz guitar. At Cambridge, finding your personal balance just seems to be given greater weight...

Author: By Alexander Bevilacqua | Title: The Lamp in the Spine | 3/5/2008 | See Source »

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