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When Eddie Palmieri plays the piano, it’s a religious experience. Jazz, deriving from 1920s slang meaning “sex” or “orgasm,” is often exuberant, but Palmieri, with his whole body convulsing as he played the piano, pushed jazz to its orgiastic, ecstatic limits at last Saturday’s Afro-Cuban Jazz Connection in Sanders Theatre...

Author: By Sanders I. Bernstein, CONTRIBUTING WRITER | Title: ARTSMONDAY: Palmieri’s Jazz a True Delight | 4/15/2007 | See Source »

...concert recognized the nine-time Grammy Award winner’s contribution to jazz, especially for his role in the creation of the distinctive fusion of “Latin Jazz.” Palmieri appeared with Brian Lynch, his collaborator on “Simpatico” (which won the 2005 Grammy for Best Latin Jazz Album). The concert also featured performances by the Monday Jazz Band (directed by Tom Everett), the Sunday Jazz Band (directed by Mark Olson), and the Alumni Jazz Band (also directed by Everett...

Author: By Sanders I. Bernstein, CONTRIBUTING WRITER | Title: ARTSMONDAY: Palmieri’s Jazz a True Delight | 4/15/2007 | See Source »

...Alumni Jazz Band opened the evening with “Fables of Faubus.” While some parts were absolutely thrilling, hinting at the great tunes to follow, it was the most disappointing piece of the night. But despite losing impetus in the many mood changes, “Fables” remained a great display of musicianship...

Author: By Sanders I. Bernstein, CONTRIBUTING WRITER | Title: ARTSMONDAY: Palmieri’s Jazz a True Delight | 4/15/2007 | See Source »

...elements, but occasionally, mixing too many ideas works to the detriment of the song as a whole. Take “Armchairs.” Bird begins with a slow wash of sound, which grows and changes slightly as piano comes to the fore. The song turns to lounge jazz, and then the song goes big at the end, crashing and bold—and then, nearly six minutes in, the rhythm shifts to make it sound like another song. The multidimensionality of it all, the beauty in both the background and the foreground of the soundscape, is moving?...

Author: By Elsa S. Kim, CONTRIBUTING WRITER | Title: Andrew Bird | 4/13/2007 | See Source »

...1960s,” which opens with Dick Clark taking the helm of a show called “American Bandstand.”“We hated Dick Clark,” Boyd says. “That’s when I started listening to old jazz and blues, looking for wackier stuff.” Boyd argues that music took a turn for the worse the day Clark was hired. “You can actually make an argument that American culture changed that day, because Dick Clark homogenized everything, and that’s what...

Author: By Beryl C.D. Lipton, CONTRIBUTING WRITER | Title: Legendary Producer Reveals His Secrets | 4/13/2007 | See Source »

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