Search Details

Word: jazzed (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
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Usage:

George Gershwin: Jazz Concert (Eddie Condon and his orchestra; Decca, 8 sides). Condon's guitar gives rhythm to Jack Teagarden's fine trombone, Bobby Hackett's clean, relaxed trumpet and Singer Lee Wiley's blue do on Someone to Watch over Me and The Man I Love. Along for the ride are Condonites Pee Wee Russell, Max Kaminsky, Billy Butterfield and others. Performance: good...

Author: /time Magazine | Title: Music: New Records, Feb. 11, 1946 | 2/11/1946 | See Source »

...smoke, prefers milk to whiskey, tries to be in bed by 8 p.m., cannot understand why there is no horse-steak oh U.S. menus. On his one nightclub excursion, he got a satisfying eyeful of American girls, cautiously explained: "It does not harm to look, no?" A rabid jazz fan, he keeps his hotel-room radio going steadily for entertainment, sings above it his current favorite-"The Hatchayson, Topeka and the Santa...

Author: /time Magazine | Title: Sport: Feather-Footed Frenchman | 2/11/1946 | See Source »

Married. Stanley Walker, 47, able author-journalist, chronicler of the jazz age (Mrs. Astor's Horse) and of his own former job on the New York Herald Tribune (City Editor); and Ruth Howell, onetime Manhattan music critic, wartime OWI editor; in Dallas...

Author: /time Magazine | Title: Milestones, Jan. 28, 1946 | 1/28/1946 | See Source »

...15th year. But it was almost a new show. Gone were the moo and the bell, the bleating ballad. Only familiar prop was Canadian-born, 36-year-old Conductor Percy Faith. Regarded as one of radio's top arrangers, he is equally deft with light classics and new jazz. His formula for a new contentment: more Kostelanetz-like arrangements of Gershwin and Rodgers, fewer old soothers like Drink to Me Only with Thine Eyes...

Author: /time Magazine | Title: Radio: Contented | 1/21/1946 | See Source »

...addicts was one of the largest ever to jam Manhattan's Carnegie Hall. Hepsters overflowed into a chamber music hall upstairs to get their rhythms by remote control, piped from the auditorium below. There was no doubt that Duke Ellington, twice winner of Esquire's All-American jazz poll, could still make more dollars dance at the box-office than such latter-day swing merchants as Eddie Condon, Lionel Hampton and Hazel Scott...

Author: /time Magazine | Title: Music: Highbrow Blues | 1/14/1946 | See Source »

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