Word: jazzed
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Dates: during 2000-2009
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...roots. That never stopped orators like Frederick Douglass, Martin Luther King Jr. and even some of the young rappers from speaking English far better than most white folks do. And don't forget that American English has been enriched by words with African origins, like gumbo, banjo, zombie and jazz...
...followed by their genre-bending breakthrough “Blazing Arrow” in 2002. On “The Craft,” the two have branched out even further, leaving the straightforward hip-hop vibes of earlier work for the marshy turf somewhere between hip-hop, jazz, electronica, and funk, where Outkast’s Andre 3000 has built his secret lab. “The Craft” is laced with swirling atmospheric washes, funkified melodic loops, ethereal crooning, snappy drumlines, and even P-Funk sensei George Clinton, who lends an extra punch...
...know this middle-aged jazz saxophonist who swears that Toni Braxton’s 1996 hit, “Un-Break My Heart,” is the most musically fascinating pop song of the twentieth century. I guess he must be right, because hella people have been revisiting that song’s tormented legacy this year! First, Eurotrash man-band Il Divo translates it into Italian, and now, Missy Elliott’s in a really messed-up version of that song’s video...
John Scofield, in all his bespectacled and graying glory, may seem an unlikely candidate to spearhead a Ray Charles revival. Indeed, when one considers Scofield’s extensive jazz pedigree, his compatibility with the Charles oeuvre seems questionable. But while his twistedly vertical guitar style may have conflicted with the source material at times, nearly everyone at the show thought it was a success. This past Thursday and Friday, John Scofield (guitar/mastermind), John Benitez (bass), Steve Hass (drums), Gary Versace (keys/Hammond) and Meyer Statham (vocals/trombone) played four shows at the Charles Hotel’s renowned Regattabar jazz club...
...coming jazz pianists are hardly underrepresented in New York City, but few are generating as much buzz as Glasper, who has wowed local audiences with his improvisational creativity and technical skill. On Canvas, Glasper shows his chops as a composer, with nine original tunes that evoke the muscular lyricism of Herbie Hancock and Keith Jarrett while still feeling fresh. Glasper is at his best on the title track, playing off tenor saxophonist Mark Turner in a minor-key vamp that constantly shifts mood and meter but never loses touch with its simple, soulful melody...