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Word: jazzes (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...author, who was born and raised in New Orleans, became interested in jazz and began playing the clarinet when he was 14. Since then, he has studied with most of the major traditional artists, including "Kid" Thomas, Billie and Dede Pierce, and the Olympic Brass Band, as well as George Lewis...

Author: By Thomas A. Sancton, | Title: New Orleans Jazz Funeral Pounds Gaily for the Dead | 5/20/1969 | See Source »

...Galvanized Washboard Band, which he joined a year ago, was formed three years ago at Yale. One of its members has since graduated and now lives in Cambridge; the others are still in New Haven. Several of the author's articles on traditional jazz have appeared in Downbeat...

Author: By Thomas A. Sancton, | Title: New Orleans Jazz Funeral Pounds Gaily for the Dead | 5/20/1969 | See Source »

...Black Studies" [May 2] ignored, curiously, the one element of black culture where the record of black accomplishment is not only glorious but also widely recognized and widely acclaimed: music. It is, moreover, the one area where black culture has proved both irresistibly attractive and easily accessible to whites. "Jazz," writes Gilbert Chase, "may be regarded as our most original and far-reaching contribution to the world's music...

Author: /time Magazine | Title: Letters: May 16, 1969 | 5/16/1969 | See Source »

...would never know it from a look at the curriculums of our nation's 350-odd university conservatories. Although there are upwards of 400 university jazz bands, most of them exist outside the approved educational curriculum and do not earn degree credits for participation...

Author: /time Magazine | Title: Letters: May 16, 1969 | 5/16/1969 | See Source »

...vividly, I think, your Essay's point that "white-oriented courses more or less ignore Negro contributions to American history and culture," that they constitute "whitewashed education." There is no discrimination against the black student who wants to play Beethoven concertos or sing opera. But for instruction in jazz or rhythm-and-blues -nothing doing! That this discrimination is cultural rather than racial is demonstrated by the fact that the young white jazz musician is no better...

Author: /time Magazine | Title: Letters: May 16, 1969 | 5/16/1969 | See Source »

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