Word: jazzes
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Dates: during 1960-1969
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...Jazz...
...BLAKEY WITH THE ORIGINAL JAZZ MESSENGERS (Jazz Odyssey). Drummer Blakey was the spark that lit up several small groups in the '50s. Here, reissued, is a particularly successful set, with one of the finest Blakey combos-Horace Silver on piano, Hank Mobley on tenor sax, Donald Byrd on trumpet and Doug Watkins on bass. They play hard-bop tunes (two of which are by now familiar Silver compositions), while Blakey drives them on with a flavoring of calypso or a tight break to emphasize the beat. On InfraRae and Hank's Symphony, his throbbing rolls and cymbal cadences...
...JAZZ CRUSADERS, LIGHTHOUSE '68 (Pacific Jazz). Pride of The Lighthouse in Hermosa Beach, Calif., the Crusaders have plenty to say in this album and plenty of "chops" (technique) to say it with. Their musical message lies in today's mainstream -a blend of hard-rock rhythms, funky chords and uptempo bustling. Wayne Henderson is on trombone, Wilton Felder on tenor sax; the rhythm section includes Joe Sample's piano. They punch out Ooga-Boo-Ga-Loo, move briskly on the winning Native Dancer and the fleeting Impressions. Their Eleanor Rigby is unusually muscular but, oddly enough, moves...
EDDIE HARRIS, PLUG ME IN (Atlantic). An electric tenor saxophone? The idea may offend jazz purists, but rock fans will get a charge out of this easygoing soul session. With capable backing from such musicians as Jimmy Owens and Joe Newman, Harris uses his extra go-power to create warmth and depth. The set gets off to a rolling, sinew-stretching start on Live Right Now, a down-home boogaloo. Harris plays with heavy-throated gentleness on the bluesy Ballad (For My Love), and with a dulcet, flowing tone on Winter Meeting. There's just a bit of metallic...
This is the basic situation of The Empire Builders by Boris Vian, which opened off-Broadway last week as the French playwright's first New York production, nearly a decade after his death at 39. Vian, who was also a novelist, poet, composer, translator, jazz trumpeter and engineer, obviously owed much to the work of Franz Kafka. Ordinary, everyday characters are beset and beleaguered by fantastic circumstances beyond their control-neither exactly allegorical nor neatly symbolic -which fill them with dread. As the play progresses, The Sound drives the increasingly unsettled father into even smaller and poorer apartments...