Word: jazzing
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Dates: during 1920-1929
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...Meanwhile, H. R. H. had become intrigued by a little jazz gadget which one of the correspondents had produced and was using with considerable musical effect. I think its name is 'gassoon.' It is a small aluminum instrument, about five inches long, into the mouth of which one hums the tune, with a result rather like the sound of humming through a paper-covered hair-comb. The correspondent removed the instrument from his mouth, wiped it on his sleeve and gave it to the Prince to inspect. H. R. H. promptly placed it in his own mouth...
...cause for this international renaissance is not far to seek. Any number of reasons are available: the stupidity of revues, the reaction against eternal jazz, or the desire for comedy that is really comic. One does not have to be an intellectual to appreciate "The Mikado" or "The Gondoliers"; and "Patience" in spite of its theme being quite dead, is as alive today as in the time of Oscar Wilde. it is a proof of the universality of enjoyment for clever dialogue and good music to see a modern audience reveling in Gilbert and Sullivan. Lasting geniuses were scarce...
...mankind to view with alarm been so vividly pointed out. One feels less, doubtful concerning national standards of 1926 when one knows that in 1827 people were writing such things us-- "a glance at our country and its present moral condition fills the mind with alarming apprehension." The jazz age has nothing on the age of crinolines and Jenny Lind. It will cheer the public to be apprised of its ancestors' wickedness, for the immobile faces in the family album become more human when their foibles are proclaimed...
There are other things, adds Mr. Frank, which symbolize America as much as jazz: Ethelbert Nevin's "The Rosary" is as native as Irving Berlin's "All Alone"; and Harold Bell Wright and the New York Daily News could exist only in this land of our forefathers. But such trifles are ignored by the modernists, even though they are folk art. As Mr. Frank points out, aesthetic acceptance depends on the intrinsic value of art, whether it be folk or fine. If jazz is good it is good because it is jazz, not because it is American. To be pedantic...
...walks alone degenerates not only into a trite axiom but even into a prevarication when Miss Sears takes to the road; a tennis star and four--count 'em four--pacers accompany her, and behind trail two "massive automobiles". This is walking de luxe. But if Trudie merits a jazz band why not pacers and motors for Eleanora...