Word: jazzing
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Dates: during 1940-1949
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...opera if the Met wouldn't. Said he: "It's a scandal, a disaster. The eyes of the world are turned to America and the greatest country in the world cannot even have an opera house! It looks as if we're only interested in jazz and crooning and all the semi-things...
...home or a Sixth Avenue bar. One man, a short, slender trumpeter with a tiny mustache, was in a hurry. Robert Leo Hackett stowed away his shining horn, flung out a hurried good night and left. Twenty minutes later he slipped into Nick's famed Greenwich Village jazz-and-gin mill, and stepped to the leader's place on the stand where five other musicians were waiting...
...Walter Piston) have taken pride in being told that their music was "stravinskyesque." Aaron Copland, best of native U.S. composers, believes that Stravinsky's continuing hold on composers "is without parallel since Wagner's day." Even Bebopper Dizzy Gillespie, and Stan Kenton, daddy of "progressive jazz," who think they have invented a new kind of music, concede generously that Stravinsky "uses some of the same sounds and rhythmical devices." The fact is that Stravinsky and jazz have learned from each other...
Paul Whiteman, 57, "King of Jazz" of the '20s, suffered superficial injuries and a $5 fine for careless driving when he smashed his car against a telephone pole near Williamstown...
Howdy, Mr. Ice has. besides, some engaging newcomers: the 1948 Olympics' pretty Eileen Seigh, a figure skater of uncommon grace and skill; Former Model Jinx Clark; Jazz Skater Rudy Richards, who jitterbugs remarkably, but with the slight-and highly welcome-touch of restraint that ice and skates impose. Even more rewarding are two such Center standbys as Skippy Baxter, who can skate both very fast and fancy, and Freddie Trenkler, for whose great comic shenanigans familiarity only breeds admiration...