Word: jazzing
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Dates: during 1950-1959
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...Saint-Germain-des-Prés are inclined to peer through their existentialist glasses darkly. The most successful of the Parisian rock 'n' rollers is a 31-year-old self-styled gypsy who goes by the name of Mac-Kac (real name: René Reilles). A jazz drummer, Mac took to rocking after the U.S. film called Rock Around the Clock (starring Singer Bill Haley) caught the fancy of Parisian teenagers two years ago. Mac sang his way to fame with his gutty-voiced, absinthe-flavored readings of such items as See You Later, Alligator...
Kenny Clarke Plays André Hodeir (the Kenny Clarke Sextet; Epic). A low-keyed collection of nine arrangements of modern jazz works (Thelonius Monk's 'Round Midnight, Miles Davis' Swing Spring), plus three original compositions by French Hipster Hodeir, Europe's leading jazz critic-composer (Oblique, On a Riff, Cadenze). The emphasis here is on intricately woven ensemble playing, shot through with some fine flights of "written improvisation...
Toshiko: Her Trio Her Quartet (Storyville). Japanese Jazz Pianist Toshiko Akiyoshi takes off on some fiery lyrical flights in this selection of eight compositions, two of them her own (Salute to Shorty, Pea, Bee and Lee). She is at her best in a couple of high, animated conversations with Alto Saxophonist Boots Mussulli (/'// Remember April, Kelo...
...family musicale has gone the way of family Bible-reading, but in its place are thousands of groups that give the weekend instrumentalist a chance to play anything from bop to Bartok. Madison Avenue admen get together to play igao's jazz, Menninger Foundation psychiatrists play Bach. In Chicago a group of Northwestern professors formed a combo called "The Academic Cats," and San Francisco Christmas shoppers are currently being assaulted by the excruciating street-corner sounds made by nine businessmen in "vaguely Franco-Prussian uniforms" who bill themselves as the "Guckenheimer Sour Kraut Band" ("We take out our animosities...
Love, Love, Love. Even without the advent of what might be called LL (for long-looking) disks, the record industry has profoundly influenced American pop and jazz artists. While in the early days of the microgroove decade the 45-r.p.m. disk was the major vehicle for pop singers, all of the more imaginative pop and show tunes are now recorded on LPs. The 45, with only three minutes to sell its wares, relies on the babbling lyrics and thudding beat of rock 'n' roll and kindred styles. But the LP provides time for the leisurely display of stylists...