Word: jazzing
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Dates: during 1950-1959
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Kerouac's use of pure Americana makes his language an effective vehicle at times. But it becomes merely amusing when he borrows from advertisements (A piece of apple pie is "nutritious, and ... delicious"), and elsewhere downright sickeningly romantic. ("Holy flowers floating in the dawn of Jazz America.") And when he tries to describe jazz, he reaches the heights of the ridiculous. ("ta-tup-EE-da-de-deraRup ...") It's difficult to see why, in the day of LP's, he thinks it necessary to compete with Charlie Parker on paper...
With Harrison onstage night after night playing My Fair Lady, Kay spends her time touring theaters (she claims to have seen all on-and off-Broadway shows) or listening to American jazz (old Bessie Smith records) in their rented Manhasset, N.Y. home. "I've had too many years of rushing around from hotel to hotel and town to town and waking up alone in the morning." At 31, Kay Kendall says: "It's a joy for me to have a home, dogs and husband-not necessarily in that order...
Satchmo:The Musical Autobiography of Louis Armstrong (Decca, 4 LPs). This lushly packaged, $20 salute to the most influential jazz soloist of them all traces his long career from the shouting, heavily riffed style he learned from Joe Oliver in his Chicago days (Dipper Mouth Blues, High Society) to the high, singing lyricism of the late '20s and early '30s, admirably illustrated in one of his own alltime favorites: On the Sunny Side of the Street. Most of the numbers, recorded at the end of 1956, are replays of records Louis cut between...
Earl "Fatha" Mines Solo (Fantasy LP), the first solo album in years by one of the granddaddies of the modern jazz piano. The selections-My Monday Date, Deep Forest, R. R. Blues-span much of the "Fatha's" career, starting with the late '20s, when he was jamming with Louis Armstrong in Chicago. The left hand is as bouncy and ebullient as ever; the famous "trumpet" right hand still shimmies over the keys and chops out the big, gaudy chords that have been the envy of a generation of jazz pianists...
First Place (J. J. Johnson; Columbia LP). The current ruling jazz trombonist struts some of his limber-lined, impeccably phrased stuff on a fine solo album. The selections include revamped oldies such as It's Only a Paper Moon, a haunting blues number called Harvey's House, and a scattering of pleasant Johnson originals...