Word: jazzing
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Dates: during 1970-1979
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There was jazz in Carnegie Hall: Sonny Rollins, one of the alltime great tenor saxophonists, was sparking fire off the bluesy beat of his quintet. Bending low over his sax, Rollins, 48, would pause for a fraction of a second and then come up swinging: weaving countermelodies inside and outside the harmonies, loosing flying clusters of arpeggios that left his sax all but smoking, ending with a comic bebop flourish, head thrown back and sax brandished triumphantly...
There was jazz in Lincoln Center, where Singer Betty Carter-a vamp of a figure in black lace with a husky, sweet-toned voice that recalls Billie Holiday -was singing a tribute to the blues. "I must have music, music," Carter, 48, half crooned, half spoke, swaying to the beat of her trio with eyes closed. Throttling down to slow, slow low notes that seemed to float in the air forever-the crowd hanging on breathlessly-she would suddenly take off, sliding up the scale as fast as any sax to land on a sultry, slightly off-center note. With...
...went on one of the best nights of this year's Newport Jazz Festival. The greatest of all such festivals, Newport celebrated its 25th anniversary last week with more than 100 performers in an all-star salute to the history of jazz. From out of the Dixieland past stomped "Kid" Thomas, 82, and the Preservation Hall Jazz Band. Transplanted for an evening from New Orleans' French Quarter, the group played engagingly oldfashioned, banjo-accented favorites and clowned between the numbers...
There was a style for everyone: the cool sound of Pianist Bill Evans, 48, with his sophisticated classical harmonies; the loosely structured, rather chaotic-sounding "free" jazz of such revolutionaries as Ornette Coleman, 48, Cecil Taylor, 45, and Sam Rivers, 47. Master Pianists Chick Corea, 37, and Herbie Hancock, 38, were into "fusion" music, a blending of jazz with rock's electronic sound. A tribute to the Latin influence on jazz starred the formidable massed bands of Tito Puente and Machito. There was even a special last-minute entry: Irakere, a jazz-rock Cuban group whose members had been...
...real gold dust is not in the oldies but in fusion, which is essentially watered-down jazz, with simpler chords and harmonies, traces of rhythm-and-blues and Latin music, and rock's heavy electronic sound and beat. Miles Davis, 52, who created the "cool" bop sound back in the late '40s, with its relaxed delivery and complex harmonies, also fashioned the first fusion in 1970 with his revolutionary Bitches Brew album. It retained jazz soloing but incorporated electric bass and guitar and a Rhodes electric piano. The result sounded mellow, upbeat and had a heavier rhythm than...