Search Details

Word: jazzing (lookup in dictionary) (lookup stats)
Dates: during 2000-2009
Sort By: most recent first (reverse)


Usage:

Then came an epiphany. He was in California with the Dead, practicing for the tour, when he saw a group of younger performers in a club. They were playing middle-of-the-road jazz standards, but they had a youthful energy. Says Dylan: "I suddenly realized, you know, years ago when I was young, whenever it was that I started out, I knew these kind of guys." He resolved to reconnect to his music. A few not-so-great albums followed, such as World Gone Wrong, but eventually Dylan found his path and released Time Out of Mind...

Author: /time Magazine | Title: Legend Of Dylan | 9/17/2001 | See Source »

...WAVE Brazilian composer Antonio Carlos Jobim combines jazz, classical music and samba rhythms to help launch the bossa-nova craze of the 1950s...

Author: /time Magazine | Title: Music Goes Global: Border Crossings | 9/15/2001 | See Source »

...MAMBO KING Raised in Spanish Harlem and trained at Juilliard, Tito Puente fronts his Latin jazz band for more than 50 years. His charismatic, flamboyant performances and masterly playing of the saxophone, congas, bongos and timbales earn him the nickname El Rey--the king--of mambo. Puente is instrumental in defining Latin jazz, and at the time of his death in 2000, he has five Grammys and 119 albums to his credit. He has inspired countless musicians...

Author: /time Magazine | Title: Music Goes Global: Border Crossings | 9/15/2001 | See Source »

Veloso's influences range from the bossa-nova and samba bands of his native land to the New York City new-wave group DNA. "Of course, there are influences [on Music Typewriter] from electronic music, from jazz, from experimental music and other things, like old funk," says Veloso, who lives in Rio de Janeiro. "But in a way, that for us is totally Brazilian...

Author: /time Magazine | Title: Fast Forward: Moreno Veloso | 9/15/2001 | See Source »

Newcomers to Broadway usually need a veteran hand to guide them along. Harry Connick Jr., like Mel Brooks, has grabbed hold of the best. The jazz singer, pianist and sometime actor is making his theater debut as the composer and lyricist for the new musical Thou Shalt Not. The show's director--and the reason it's the fall's most eagerly anticipated musical--is Broadway's current miracle maker, director-choreographer Susan Stroman, who won a Tony for staging Brooks' The Producers. It's not hard to see what attracted Connick to the show: it's an adaptation...

Author: /time Magazine | Title: Fall Preview: Fall Preview | 9/3/2001 | See Source »

Previous | 238 | 239 | 240 | 241 | 242 | 243 | 244 | 245 | 246 | 247 | 248 | 249 | 250 | 251 | 252 | 253 | 254 | 255 | 256 | 257 | 258 | Next