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Word: jazzing (lookup in dictionary) (lookup stats)
Dates: during 2000-2009
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Usage:

...about overpowering the opponent. “The techniques emphasize subtlety over brute force, which is great when you don’t have the physique of Xena,” Chin-Lee writes in an e-mail. The highly improvisational format of Aikido exhibitions is closer to a jazz concert than a self-defense class, requiring practitioners to constantly adapt to one another’s techniques. “The demonstration partners have no idea what the response will be so they really have to be on top of their game,” Chin-Lee says...

Author: By Mark A. Vanmiddlesworth, CONTRIBUTING WRITER | Title: Aikikai Kicks Off Weekend | 4/29/2008 | See Source »

...everyone calls it the most fun part of the year. All of a sudden, you’re getting to learn what their style is, how they like to put pieces together,” Nationals routines pack the punch of three discrete styles—jazz, pom, and hip-hop—in under two minutes. Yet the judging rubrics don’t leave a lot of room for individual interpretation: movement must be hard-hitting and in unison all of the time. “Even jazz and hip-hop are reduced to such a tight-looking...

Author: By Alison S. Cohn, CRIMSON STAFF WRITER | Title: Crimson Dance Team Tackles TV | 4/29/2008 | See Source »

Miller continued to devote himself to sax throughout his early life, studying with various saxophonists and joining the Jazz Institute of New Jersey. A name more luxurious than accurate, the institute was comprised of a few students, some devoted teachers, and the basement of the Latino center at Rutgers. Despite its humble facilities, Miller learned the importance of improvisation as well as competition while ther. He also met his two best friends, who pushed him musically...

Author: By Ama R. Francis, CONTRIBUTING WRITER | Title: Marcus G. Miller | 4/29/2008 | See Source »

...ensure that he developed a set of skills other than music so that he’d be financially stable in the future. For him, that skill set was mathematical. His math concentration took up a lot of time, and Miller, feeling uninspired by Harvard’s jazz scene, took a break from his saxophone...

Author: By Ama R. Francis, CONTRIBUTING WRITER | Title: Marcus G. Miller | 4/29/2008 | See Source »

Savvy on the saxophone and just as smooth at storytelling, Benny Golson charmed a small audience last Thursday at the New College Theatre. Those who attended the two-hour interview were privileged to have stumbled upon one of the jewels of the jazz industry. With tales from his boyhood spent in Philadelphia with John Coltrane and his successful years of touring with Dizzy Gillespie, Golson passed on stories and advice to the next generation of aspiring jazz artists.When jazz was still young, Golson was busy playing tenor saxophone whenever he could. “We were trying to figure...

Author: By Noël D. Barlow, CONTRIBUTING WRITER | Title: Along Came Benny: Golson Talks Jazz | 4/25/2008 | See Source »

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