Word: jazzing
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...while, the Harvard Jazz Collective was big time. Really. You may not have heard of us, a modest five-piece jazz ensemble founded in the fall of 2005, but like any other major musical act, we had recordings, a rehearsal space, even groupies. We played with Herbie Hancock; we played for Mitt Romney. At our peak, a Harvard class reunion paid us a thousand bucks to play for approximately an hour and plied us with wine and food. I think it’s safe to say that, as an acoustic jazz group composed of Harvard undergraduates specializing in late...
...gotten over. This adds to the place’s manufactured mystique: Those outside our bubble of obliviousness recognize that Gatsby parties and fencing are outdated, but our investment in archaisms, niche pursuits, and outlandish concentrations—not majors—is why we’re here. Jazz is no longer the seething cultural rebellion it once was—it’s quickly simmering into a classical genre—and for many, it’s just another goofy tradition that Harvard has saved from extinction. But it actually thrives here, which is part...
Like any other Harvard applicant, I was well rounded—or insanely overscheduled—but jazz was a core component of my identity. I was in love with its lore, its improvisatory spirit, and I diligently practiced tenor sax an hour each day. I didn’t apply to conservatories, but my college list was limited to those that boasted strong jazz programs. I listened to the stuff almost exclusively until I was 17, and my application’s personal statement was 500 words of gushed, schmaltzier-than-Kenny G prose—I think...
...Centre of Contemporary Art and other must-see cultural outlets. Chic boutiques are concentrated in the rejuvenated alleyways of the Poplar Lane and High Street heritage districts. In the area south of Lichfield Street (or simply SOL), lively venues like the Base dance club, www.thebase.co.nz, and Fat Eddie's jazz bar, www.fateddies.co.nz, rock their respective houses. Pub server Debbie Cartwright says "all ages hang together comfortably." Bryan Pearson, who manages local conference venues, thinks of Christchurch's navigable dimensions as a boon. "We have most of the benefits and amenities of a major city, with the essence of a village...
...four times straight, from 1966 to 1972, and twice again in 1977-78. Italian-American heavyweights Martin Scorsese (Taxi Driver, 1976) and Francis Ford Coppola (Apocalypse Now, 1979) took the glory for the U.S. and even Bob Fosse joined in at the start of the 1980s with All That Jazz. But critics would snipe that truly great films (and directors) were being overlooked: there would be no Cannes love for Rainer Werner Fassbinder (Ali: Fear Eats the Soul),Werner Herzog (Every Man for Himself and God Against All, aka The Enigma of Kaspar Hauser), Terence Malick (Days of Heaven...