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Word: jazzings (lookup in dictionary) (lookup stats)
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...Exusamwa combined manic punk with a performance art aesthetic—Sawyer spent the entire set in a wheelchair, her face bandaged and her voice howling, while her bandmates all wore red-stained OR scrubs—and Quits played experimental noise music. Daniel Striped Tiger played a cleaner, jazz-infused brand of post-hardcore, while L’Antietam’s heavier, more distorted songs featured complex tempo changes and polyrhythms. The audience had no difficulty moshing during the sludge hardcore of Connecticut’s Iron Hand before sitting down to take in the melodic finger-picked...

Author: By Patrick R. Chesnut, CRIMSON STAFF WRITER | Title: Hardcore Harvard | 4/24/2009 | See Source »

With the 1959 releases of Miles Davis’ “Kind of Blue,” Ornette Coleman’s “The Shape of Jazz to Come,” and John Coltrane’s “Giant Steps” the world of modern jazz changed forever. Fifty years later, Harvard University continued the tradition of these modern jazz legends last Saturday by honoring drummer Roy Haynes as the 2009 Jazz Master in Residence at Harvard University in “Cracklin’ with Roy—Honoring Roy Haynes...

Author: By Will L. Fletcher, CONTRIBUTING WRITER | Title: Jazz Drummer Honored | 4/24/2009 | See Source »

...Mafia Music,” Ross interestingly positions himself with icons in black history: “Martin had a dream, Bob got high / I still do both but somehow I got by.” On “In Cold Blood,” Ross employs jazz trumpets and orchestral sounds, as he proclaims, “God wanna see you niggas in the Bentley!” These bookends provide memorable first and last impressions, as they encapsulate the MTV-ready middle portion of the album.Regardless, very little about “Deeper than Rap?...

Author: By Justin W. White, CONTRIBUTING WRITER | Title: Rick Ross | 4/24/2009 | See Source »

...Madeline on a Park Bench” was primarily shot and produced in the Boston area. With a conventional script, the black-and-white movie pays homage to the timeless formula of an old Hollywood musical and romance set against a backdrop of a roaring jazz scene. Yet Chazelle reinterprets the genre by filming the movie with an unorthodox, and often labor-intensive, technique. “I tried to approach the genre of the musical in a documentary way by using the lives of people as the framework of the film,” Chazelle says...

Author: By Eunice Y. Kim, CRIMSON STAFF WRITER | Title: Student Work Featured at NYC Tribeca Film Festival | 4/24/2009 | See Source »

...Tomorrow you will go to a comedy show, an a cappella jam, more info meetings, and another ice-cream social. You will stagger home, chastened and broken in spirit, pursued by incessant e-mails from organizations you signed up for in a frenzy induced by three hours of 1920s jazz standards...

Author: By Alexandra A. Petri | Title: What am I doing here? | 4/24/2009 | See Source »

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