Word: jazzman
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...produced a long string of guitar heroes, a list that would begin with Chuck Berry, continue on through Hendrix, Page and Eric Clapton, and include players of more recent vintage, like Eddie Van Halen and Living Colour's Vernon Reid--musicians celebrated for their sheer instrumental talent, their jazzman-like flair for expansive, showy (and sometimes self-indulgent) solos. But with the advent of alternative rock and grunge in the late '80s and early '90s, guitar heroism became uncool. Peter Buck of the influential rock band R.E.M. shies away from the exhibitionism of flashy solos; other alternative rockers, including...
...rock music. I thought maybe no one with that real fire and talent in our generation wanted to play jazz--not enough external rewards for swinging. Then I called the J Master...When he plays, the entire history of jazz piano resonates. He is a true original, a real jazzman, not afraid to swing and play the blues with authority, intelligence, abandon and soul. Yes, with soul...
...Lacy. The group records several versions of tunes from the standard jazz repertoire. Hearing Taylor perform the Duke Ellington-Billy Strayhorn composition "Johnny Come Lately" has almost the shock value that hearing Jimi Hendrix's version of "The Star Spangled Banner" must have had ten years later. The familiar jazzman's repertoire turns into a nightmare version of itself on Taylor's earliest recordings...
Country music, in fact -- not the typical jazzman's hard knocks in the asphalt jungle -- carried Haden into jazz. Born in Iowa, he grew up in Missouri, where his family had a daily radio show, Uncle Carl Haden and the Haden Family. Cowboy Charlie, as he came to be billed, made his debut at two; at four he was singing all the harmony parts and cutting loose with a mean yodel. Some nights, he remembers, "Mother Maybelle Carter used to rock me to sleep...
...there anything wrong with this? Not exactly. Battle is our reigning lyric coloratura soprano, and Marsalis, a prodigy who continues to grow as both a classical musician and a jazzman, makes a worthy collaborator. It is hard not to be dazzled and delighted by the pyrotechnics they provide in these predominantly bright, florid selections from Handel, Scarlatti, Bach and others. Yet the album, like its predecessors, seems an event built as much on personality and packaging as on musical impulses. And the limitations of its formula are exposed by the nature of most soprano-trumpet duets: the nonstop bravura finally...